Everything that has been said about this film is pretty much true. It is a visually-stunning film; the digital effects technicians' work in balancing the monochrome elements with the colorized elements is to be applauded. Likewise with the art direction; the look and feel of 1950s suburbia is achieved.
Of course, none of this would matter if there wasn't a strong story serviced by these visuals. Fortunately, writer/director Gary Ross (Oscar nominated for his screenplays for "Big" and "Dave") has given us a thought-provoking tale. Through effective, albeit less-than-subtle, symbolism, Ross uses images to convey timely messages about race relations, tolerance and individuality. The fact that he accomplishes this without coming off as preachy is a testament to the strength of the amount of talent involved in this film. And while some may note superficial qualities between this and other similar- themed films ("The Truman Show", "Back to the Future"), this one can stand firmly on it's own. See it; it's sure to start conversations afterwards.
Of course, none of this would matter if there wasn't a strong story serviced by these visuals. Fortunately, writer/director Gary Ross (Oscar nominated for his screenplays for "Big" and "Dave") has given us a thought-provoking tale. Through effective, albeit less-than-subtle, symbolism, Ross uses images to convey timely messages about race relations, tolerance and individuality. The fact that he accomplishes this without coming off as preachy is a testament to the strength of the amount of talent involved in this film. And while some may note superficial qualities between this and other similar- themed films ("The Truman Show", "Back to the Future"), this one can stand firmly on it's own. See it; it's sure to start conversations afterwards.