Review of Rush Hour

Rush Hour (1998)
A fun, engaging comedic-action romp
18 September 1998
This film is an extremely funny and pleasantly entertaining action comedy. Chris Tucker (who stole the show in "The Fifth Element") and Jackie Chan play mismatched police officers who must work together on an international kidnapping case. Plots are largely irrelevant in this type of picture, so what the movie amounts to is an above-average treatment of the Hollywood buddy cop comedic-action formula. It is billed as Chan's first lead role in an American production in 12 years. This shows in its superior production values and script. While maintaining a boisterous sense of comedy, it doesn't resort to the outright silliness of the past string of overseas Chan movies. Chan and Tucker have an easygoing, natural chemistry and make a delightful pairing. Both leads are charismatic and provide abundant energy. Their differing styles are a good match of well-executed physical stunts and verbal play. Tucker's stylish, motor-mouthed delivery and eye-popping mannerisms are a nice complement to Chan's high-speed moves and affable disposition. If someone ever paired Tucker in a film with Jim Carrey, an 80-foot screen could hardly contain the miasmic presences of these two. Popping up in supporting roles are an almost unrecognizable Elizabeth Peña as an LAPD agent and Tom Wilkinson of "The Full Monty." As always, stay for the credits to see outtakes featuring stunts gone awry as well as many botched lines. The lively score is provided by notable composer Lalo Schifrin, perhaps best remembered for the "Mission Impossible" theme.
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