7/10
Classy, but fatally flawed, adaptation of a great book.
30 August 2001
Warning: Spoilers
Those of you who haven't read the book should really do so before watching the film.

How can anybody not have gotten around to reading these books yet? However, I digress.

Why wasn't I bowled over by this? Simple answer. Tom Ripley may have bisexual leanings but he's not hysterical. The key turning point in the book is a premeditated murder but this adaptation portrays it as a crime of passion. The truly chilling aspect of his character in Highsmith's novel is the ease with which he plans and executes this murder, presumably his first.

This threw me completely. I didn't expect the film to be able to get things like Tom's poor opinion of Dickie's Italian but I thought getting the motive right would have been possible.

But for the changes to Tom's character I though the film was actually quite good. Philip Seymour Hoffman was superb as Freddie Miles. The opening sequence was a bravura piece of film-making, expertly edited by Walter Murch. The potentially confusing plot and web of coincidences was handled quite well.

But after the murder I just kept on thinking of how off the mark the film was.

Too bad.
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