Early in the film, Akshaye Khanna is shown basically stalking Aishwaria Rai and secretly taking photos of her while she's bathing and undressing, and then hangs all the photos on his wall and sits there and looks at them. So I thought this movie was going to be a "psycho-stalking" movie. But then my wife explained to me that in Indian movies, the standard way of developing a romantic story is to show the man stalking the woman and obsessing over her in a fashion which might, in other cultures, be considered criminal behavior. Armed with this new found knowledge, I was able to enjoy the movie. The music of A.R. Rahman, who appears to carry the burden of creating the music for every one of the 400 movies to come out of Bombay every year, is catchy and the stars look good.
Review of Taal
