Everybody's lying. You shouldn't analyze a film to know whether it's good or not. Analyzing wouldn't make it worse, you will just come to the same conclusion. Only thing that matters, is how film feels, not necessarily right after you saw it, but in general. Take "Mulholland Drive". The film might seem pretty primitive. Lynch takes the story of the naive actress's broken dreams in Hollywood, and blows it up, making it surreal and reminiscent of Hollywood noir. Is it easy to do? Theoretically speaking, yes, it is. But you can feel that movie is really good, because you can feel that for Lynch it's not just an exercise in twisting and turning rules of the narrative. (Lost Highway was the exercise, but exercise so splendid, even if it was cold and artificial, it still was mesmerizing). Lynch's strong points here are, first of all, is that he shows us both versions of what happened. None of the parts of the film are dread, no matter what hundreds of reviewers been saying. They are like two mirrors that were put together under weird angle. Second of all, even though you can point out similarities between two parts, they are totally different. Everytime you trying to put all the pieces of the jigsaw puzzle together, they don't fit. And that's what films supposed to do anyway. I anticipate, in the near future, Mulholland Drive will suffer major throwback. It's too perfect, it's getting too much acclaim, naturally people will call it overrated. They will refer to the loose ends of where TV pilot ends and the film begins, they will say that "Club Silencio" is blue colored version of Black Lodge. Most of all, they will say, that the moral of the film is an obvious cliche. To all this, I can say: First of all, the only way to appreciate Lynch's film, is to have faith in him completely, to trust that he really means what he says, and in Mulholland Drive I am willing to trust him more than ever, because I do feel the love he put in every scene, even what might've seem the exploitative lesbian scene. I believe every single scene in this film. Second of all, getting back to beginning of my review, it feels right, and no amount of writing about film can change it.
Review of Mulholland Drive
