My Rating: **** out of ****.
As I said in my first review of Kill Bill Volume 1, I would write a second review after I saw Kill Bill Volume 2. When I reviewed it I said that I really enjoyed it, yet I had a few complaints about how Tarantino wanted to rip me off and that this was an incomplete film. I said that Volume 2 would have to fill in the holes for me to change my rating. Well Volume 2 filled in the holes and it did brilliantly. However, after seeing Volume 2 in the theater, I had the urge to buy Volume 1 on DVD. So I did and I finally watched it tonight. I must say after seeing Volume 2, it strengthens Volume 1 in an astonishing way.
Nevertheless, I would still like to see the films edited into a whole. Volume 1 is an exhilarating masterpiece on its own and Volume 2 brilliantly fills in the backstory, while adding an emotional resonance to the story. But together they might make a masterpiece to challenge Tarantino's top two films: Reservoir Dogs and Pulp Fiction. There is an advantage to cutting Kill Bill into two films, which has to do with the different tones of the films. However, I think Kill Bill could really shine as one film. We shall see when Tarantino decides to release the DVD.
Some people complain that Kill Bill doesn't have the great dialogue that was in Tarantino's Reservoir Dogs, Pulp Fiction and to some extent, Jackie Brown. Well it is true that this is not the brilliant, snappy dialogue that Tarantino penned in his other films but the dialogue here works. It's not the dialogue I delight in hearing in Dogs and Pulp but it fits here. I do not feel it is a flaw like some other reviewers have thought, I think it's an asset.
On the DVD, it is said that Tarantino and Uma Thurman came up with the idea for Kill Bill on the set of Pulp Fiction. Well you can definitely see that here. Volume 1 is their movie (maybe another reason for the split), more people get involved in Volume 2 (David Carradine, Daryl Hannah for example) but this is Tarantino's and Thurman's movie here. You clearly see that in the movie.
Uma Thurman dominates the screen like never before. She carries as much screen presence as any action star and shes got more than enough acting talent required for the role. Other actors in the film, such as Lucy Liu, Sonny Chiba, have supporting roles. From an acting standpoint, this is Thurman's movie and she makes that perfectly clear. Her performance in Volume 2 was the more accomplished one but she is terrific here. Thurman developed the Bride into more of a person in Volume 2; here she is more of an icon. However, that being said, I thought Thurman added some humanity to the role in Volume 1. She is a woman bent on revenge, but I did sense the Bride was a real person.
The rest of the cast offers their support. Lucy Liu is effective as O-Ren. Sonny Chiba should be given credit, he makes Hattori Hanzo into a memorable character for not much screentime. Vivica Fox does a good job in her limited screentime. Daryl Hannah makes a brief appearance and makes an impression. Michael Madsen and David Carradine show up in Volume 2.
This is also clearly Tarantino's film. Volume 1 is packed with style. Tarantino's stylistic techniques here are all creative and don't seem excessive. The slo-mo scene of O-Ren and her crew walking toward us is memorable. The split screen technique is used perfectly in one scene (a homage to Brian De Palma). The most unique technique Tarantino uses is an anime sequence to tell the backstory of O-Ren. The sequence is incredibly violent and beautiful in a deadly way. From a stylistic point of view, Volume 1 maybe Tarantino's most memorable film (although Volume 2 is certainly a contender).
However, it's the action scenes that prove that as a director Tarantino is in peak form. The smaller battle between The Bride and Vernita is handled well. But the showdown at the The House of Leaves is a tour de force. It's just an exhilarating fight scene that bests any fight scene I have seen in years. In fact, the only fight sequence I have seen recently that comes close was the fight between The Bride and Elle Driver in Volume 2.
The fight sequence between The Bride and O-Ren really deserves mention. It was a beautifully photographed and expertly handled scene. It was the most beautiful moment in any Tarantino film. I read a review of Tarantino's Jackie Brown that said Tarantino was not a great visuals director, well I bet they would change their mind after watching that scene. I also credit cinematographer Robert Richardson for making that scene look as great as it did (How he did not receive an Oscar nomination for cinematography, I will never know).
In the end, Kill Bill Volume 1 is just an exhilarating film that is technically brilliant in every area. It does not have much depth (more of that comes in Volume 2), but it's the kind of film that does not need to be incredibly deep. It's the director's work that is masterful here and the leading actress deserves a tremendous amount of credit too. With Kill Bill Volume 1, "Q and U" have given us a masterpiece and it is sure to be come a classic.
As I said in my first review of Kill Bill Volume 1, I would write a second review after I saw Kill Bill Volume 2. When I reviewed it I said that I really enjoyed it, yet I had a few complaints about how Tarantino wanted to rip me off and that this was an incomplete film. I said that Volume 2 would have to fill in the holes for me to change my rating. Well Volume 2 filled in the holes and it did brilliantly. However, after seeing Volume 2 in the theater, I had the urge to buy Volume 1 on DVD. So I did and I finally watched it tonight. I must say after seeing Volume 2, it strengthens Volume 1 in an astonishing way.
Nevertheless, I would still like to see the films edited into a whole. Volume 1 is an exhilarating masterpiece on its own and Volume 2 brilliantly fills in the backstory, while adding an emotional resonance to the story. But together they might make a masterpiece to challenge Tarantino's top two films: Reservoir Dogs and Pulp Fiction. There is an advantage to cutting Kill Bill into two films, which has to do with the different tones of the films. However, I think Kill Bill could really shine as one film. We shall see when Tarantino decides to release the DVD.
Some people complain that Kill Bill doesn't have the great dialogue that was in Tarantino's Reservoir Dogs, Pulp Fiction and to some extent, Jackie Brown. Well it is true that this is not the brilliant, snappy dialogue that Tarantino penned in his other films but the dialogue here works. It's not the dialogue I delight in hearing in Dogs and Pulp but it fits here. I do not feel it is a flaw like some other reviewers have thought, I think it's an asset.
On the DVD, it is said that Tarantino and Uma Thurman came up with the idea for Kill Bill on the set of Pulp Fiction. Well you can definitely see that here. Volume 1 is their movie (maybe another reason for the split), more people get involved in Volume 2 (David Carradine, Daryl Hannah for example) but this is Tarantino's and Thurman's movie here. You clearly see that in the movie.
Uma Thurman dominates the screen like never before. She carries as much screen presence as any action star and shes got more than enough acting talent required for the role. Other actors in the film, such as Lucy Liu, Sonny Chiba, have supporting roles. From an acting standpoint, this is Thurman's movie and she makes that perfectly clear. Her performance in Volume 2 was the more accomplished one but she is terrific here. Thurman developed the Bride into more of a person in Volume 2; here she is more of an icon. However, that being said, I thought Thurman added some humanity to the role in Volume 1. She is a woman bent on revenge, but I did sense the Bride was a real person.
The rest of the cast offers their support. Lucy Liu is effective as O-Ren. Sonny Chiba should be given credit, he makes Hattori Hanzo into a memorable character for not much screentime. Vivica Fox does a good job in her limited screentime. Daryl Hannah makes a brief appearance and makes an impression. Michael Madsen and David Carradine show up in Volume 2.
This is also clearly Tarantino's film. Volume 1 is packed with style. Tarantino's stylistic techniques here are all creative and don't seem excessive. The slo-mo scene of O-Ren and her crew walking toward us is memorable. The split screen technique is used perfectly in one scene (a homage to Brian De Palma). The most unique technique Tarantino uses is an anime sequence to tell the backstory of O-Ren. The sequence is incredibly violent and beautiful in a deadly way. From a stylistic point of view, Volume 1 maybe Tarantino's most memorable film (although Volume 2 is certainly a contender).
However, it's the action scenes that prove that as a director Tarantino is in peak form. The smaller battle between The Bride and Vernita is handled well. But the showdown at the The House of Leaves is a tour de force. It's just an exhilarating fight scene that bests any fight scene I have seen in years. In fact, the only fight sequence I have seen recently that comes close was the fight between The Bride and Elle Driver in Volume 2.
The fight sequence between The Bride and O-Ren really deserves mention. It was a beautifully photographed and expertly handled scene. It was the most beautiful moment in any Tarantino film. I read a review of Tarantino's Jackie Brown that said Tarantino was not a great visuals director, well I bet they would change their mind after watching that scene. I also credit cinematographer Robert Richardson for making that scene look as great as it did (How he did not receive an Oscar nomination for cinematography, I will never know).
In the end, Kill Bill Volume 1 is just an exhilarating film that is technically brilliant in every area. It does not have much depth (more of that comes in Volume 2), but it's the kind of film that does not need to be incredibly deep. It's the director's work that is masterful here and the leading actress deserves a tremendous amount of credit too. With Kill Bill Volume 1, "Q and U" have given us a masterpiece and it is sure to be come a classic.