Pseudo-scientific scaremongering rubbish, only made faintly plausible by Anna Friel and by Phil Davis's turn as a veteran journalist. The dialogue is crude and, once it gets away from the newspaper office, incredible.
If an unknown writer had turned up at the BBC with this, he would have been shown the door sharpish.
If an unknown writer had turned up at the BBC with this, he would have been shown the door sharpish.