1/10
Mel Misses The Mark
15 April 2004
A catharsis for Mel, but a mess for us. Mr. Gibson's well-intentioned effort to find God and save his soul has yielded a film lacking insight and wrought with hyperbole and exaggeration to the point of caricature.

Pontius Pilate, historically known for his excess and brutality, is portrayed as a sympathetic and indifferent soul. This is certain to mislead the naive moviegoer.

The Passion of The Christ exhibits so much physical violence and horror, we are transported to a state of numbness so the full meaning of Jesus' life and his noble mission are lost.

As I left the theatre at the film's end, I watched audience members file out of the auditorium dazed and disturbed instead of being awed, filled with wonder and uplifted.

If you wish to experience a splendid cinematic event and gain insight into the meaning of Jesus' life and the beautiful message he brought us, I urge you to see King of Kings(1961) or the superb Ben-Hur(1959), the winner of no less than 11 well-deserved Academy Awards.

No, The Passion of The Christ is not overtly anti-Semitic; however, those who wish to promote anti-Semitism might just find this film a most useful tool.

Because Mel misses the mark, we are forced to endure a low-grade docudrama laden with brutality. Had Mel hit the nail on the head, we would have witnessed a brilliant cinematic event and left the theatre with our spirit soaring!

Bear in mind this is a very personal film, and what you bring to it will have an enormous effect on how you perceive it.

See it for yourself, and make up your own mind.
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