Review of The Big Shave

The Big Shave (1967)
The Scorsese in the making from the very first
18 October 2004
This is six minutes of introduction to the world of Martin Scorsese. You may anticipate a story but it is only portrait of an obsessive shaver who shaves until he makes a bloodbath out of his face. A gruesome sight to average spectator ,and in one shot even to a more sophisticated one when the man pulls the blade from one end of his neck to another and acts very convincingly, this short film is an unblinking portrait of violence and especially personal violence for that matter, with a strong streak of masochism familiar to the fans of Scorsese. A man shaves or punishes himself for no apparent reason but cleansing(his face or his soul?). Also you can see the making of a director infatuated with the montage who will use its techniques for years to come.

The Big Shave also displays an effective use of two colors in jarring contrast for an aesthetic purpose: white of the bathroom and red of the blood. White and Red devour the character and the viewer and signal the world of a director in love with radical shifts and juxtapositions. overall a student film from Scorsese in retrospect is a lesson in film history. Experiment is the prerequisite of perfection. The jazz song which accompanies the whole film and unites its images has been wonderfully used.
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