It's kind of a soap opera plot, rather daring, perhaps, for its time, but tame by today's standards.
Joan Crawford probably never looked better and, in my not very humble opinion, probably never, or at least seldom, gave a better performance. Her character Billie is in turn kittenish and seductive and cautious, ultimately doing what was the right thing for everyone.
Anita Page, who also never looked lovelier, is everyone's charming girl-next-door, pretty, cute, decent. She gives a superlative performance as the intriguingly named Kentucky.
This is not, probably, anybody's idea of a classic movie, but it is well worth seeing if only for the look at Joan Crawford in an early -- silent -- role. She looks great, gives a controlled performance, and is sans the harsh, overdone makeup of later years -- and padded shoulders.
Anita Page, who pioneered some of the early musicals, displays loveliness and talent and is, to be blunt, adorable.
Oh, there are some good male actors, too, but Crawford and Page are the real reasons to watch.
Joan Crawford probably never looked better and, in my not very humble opinion, probably never, or at least seldom, gave a better performance. Her character Billie is in turn kittenish and seductive and cautious, ultimately doing what was the right thing for everyone.
Anita Page, who also never looked lovelier, is everyone's charming girl-next-door, pretty, cute, decent. She gives a superlative performance as the intriguingly named Kentucky.
This is not, probably, anybody's idea of a classic movie, but it is well worth seeing if only for the look at Joan Crawford in an early -- silent -- role. She looks great, gives a controlled performance, and is sans the harsh, overdone makeup of later years -- and padded shoulders.
Anita Page, who pioneered some of the early musicals, displays loveliness and talent and is, to be blunt, adorable.
Oh, there are some good male actors, too, but Crawford and Page are the real reasons to watch.