I was 16 when this movie came out and completely overlooked it. I'm afraid I was more into the new wave at the Paris than this kind of thing at the mall.
I saw it 30 years later and was astounded by the beautiful and to my eye authentic documentation of New York City at a moment of awesome and perishable beauty--a phrase that describes equally well the amazing Natalie Wood. The screenplay is a failed attempt at a 60s 'modern' screwball comedy, but the film work and editing are wonderful, and the camera has loved very few people with the intensity it loves Natalie Wood who glows in the wonderful 60s fashions.
I saw it 30 years later and was astounded by the beautiful and to my eye authentic documentation of New York City at a moment of awesome and perishable beauty--a phrase that describes equally well the amazing Natalie Wood. The screenplay is a failed attempt at a 60s 'modern' screwball comedy, but the film work and editing are wonderful, and the camera has loved very few people with the intensity it loves Natalie Wood who glows in the wonderful 60s fashions.