The story in this feature is an interesting re-working of the familiar 'Pygmalion' story, making some fairly imaginative changes in the setting and details to add some new themes to the story. It is also a decent vehicle for the vivacious and multi-talented Josephine Baker. Although the material does not give her a chance to display her full range of talents (which would probably take a stage show, rather than a movie), it does provide her with some pretty good musical numbers, and it gives her a role that is a good fit.
Albert Préjean and Robert Arnoux make a good team, as the writer and his collaborator who travel to Africa so that Préjean's character can benefit from a change of atmosphere. As the Bedouin Alwina, whom the two Frenchmen meet, Baker's spirited energy works very well. As the story progresses, the kinds of slights and frustrations that her character faces inevitably remind you of the undeserved problems that Baker herself had to contend with in her own life, giving it an interesting extra dimension.
Préjean and Arnoux balance things well with their light, bantering approach. Préjean, in particular, does a good job with his character, showing that there is some sensitivity underneath his somewhat lazy, self-absorbed exterior.
The story moves at a good pace, leading up to the climax at the Maharajah's lavish party, which includes a couple of creative touches. The concluding series of plot turns resolves things in a light fashion, while also suggesting a couple of ideas which, as long as you are careful not to misunderstand them, are worth thinking about. The movie avoids taking itself too seriously, and that helps it work rather well.
Albert Préjean and Robert Arnoux make a good team, as the writer and his collaborator who travel to Africa so that Préjean's character can benefit from a change of atmosphere. As the Bedouin Alwina, whom the two Frenchmen meet, Baker's spirited energy works very well. As the story progresses, the kinds of slights and frustrations that her character faces inevitably remind you of the undeserved problems that Baker herself had to contend with in her own life, giving it an interesting extra dimension.
Préjean and Arnoux balance things well with their light, bantering approach. Préjean, in particular, does a good job with his character, showing that there is some sensitivity underneath his somewhat lazy, self-absorbed exterior.
The story moves at a good pace, leading up to the climax at the Maharajah's lavish party, which includes a couple of creative touches. The concluding series of plot turns resolves things in a light fashion, while also suggesting a couple of ideas which, as long as you are careful not to misunderstand them, are worth thinking about. The movie avoids taking itself too seriously, and that helps it work rather well.