I've noticed something a trend perhaps in Indie Cinema, it's all about the Upper Middle Class. Are the writers, directors, of these pictures of this group? After all, even an Indie production costs millions to produce. Your average middle classer has a hard time comprehending his rent, forget getting a picture funded.
In Lovely and Amazing, the women seemed to live in a plush world of decorator pillows and jeans. Big houses or snazzy apartments are the norm, trendy villages to shop too. Emily the actress, she's not waiting on tables while she's in between lovers or parts. Nor is her older sister, ex-prom queen, Catherine in the work world post-college and kids. Her hubby has his semi-glamorous office world and mistress, and plenty of time away from the family. Little black orphan child has issues in this white comfy world, too much food perhaps? The cars are smooth and leathery without pretension, the clubbing's and veranda angst is so Bloomingdale.
In the end we suggest all these ladies get a life.
In Lovely and Amazing, the women seemed to live in a plush world of decorator pillows and jeans. Big houses or snazzy apartments are the norm, trendy villages to shop too. Emily the actress, she's not waiting on tables while she's in between lovers or parts. Nor is her older sister, ex-prom queen, Catherine in the work world post-college and kids. Her hubby has his semi-glamorous office world and mistress, and plenty of time away from the family. Little black orphan child has issues in this white comfy world, too much food perhaps? The cars are smooth and leathery without pretension, the clubbing's and veranda angst is so Bloomingdale.
In the end we suggest all these ladies get a life.