This is a real modern jazz movie; there are precious few of those, notwithstanding the efforts of those who have gone before or since. The "buddy" aspect, ala "Brian's Song" is well done, but for me, the energy is in the music, which is given as much rein as a drama from Hollywood permits.This music is mainstream hard bop, superbly performed by Chuck Findlay (trumpet) among others.I believed in the musicians' love of the music for its own sake.
I think it very strange that in the entire history of "modern" jazz, which for most musicologists occupies the period 1942-present, only "Round Midnight" and "Bird" and (maybe)"Giant Steps" address the music in a meaningful way on a par with this film, documentaries and concert films excluded.
One sees clearly that "Lush Life" is a labor born of love, destined to be a largely overlooked made for TV film.
I think it very strange that in the entire history of "modern" jazz, which for most musicologists occupies the period 1942-present, only "Round Midnight" and "Bird" and (maybe)"Giant Steps" address the music in a meaningful way on a par with this film, documentaries and concert films excluded.
One sees clearly that "Lush Life" is a labor born of love, destined to be a largely overlooked made for TV film.