ROBERT TAYLOR is refreshingly natural in the role of a brash American Yank who immediately succeeds in alienating his fellow Oxford classmates to the extent that they play practical jokes on him. The entire tone of the film seems to want to portray Americans as distinctly out of their element among the British elite. There's a distinctly mean-spirited flavor to some of the proceedings.
MAUREEN O'SULLIVAN is pleasant as Taylor's chief love interest, but it's hard to detect any of the qualities VIVIEN LEIGH would later show as Scarlett O'Hara in her role as a flirtatious bookstore worker. Her pencil thin eyebrows and unflattering hairdo don't suggest any of the attractive make-up that transformed her into a Southern belle just a year later. She looks almost dowdy here before Hollywood gave her the glamor treatment.
Taylor and Leigh would exhibit much better chemistry in 1940's WATERLOO BRIDGE. Here she is somewhat irritating in a small role.
Sports-minded individuals will get more of a kick out of this than the casual movie-goer looking for a good romantic comedy.
MAUREEN O'SULLIVAN is pleasant as Taylor's chief love interest, but it's hard to detect any of the qualities VIVIEN LEIGH would later show as Scarlett O'Hara in her role as a flirtatious bookstore worker. Her pencil thin eyebrows and unflattering hairdo don't suggest any of the attractive make-up that transformed her into a Southern belle just a year later. She looks almost dowdy here before Hollywood gave her the glamor treatment.
Taylor and Leigh would exhibit much better chemistry in 1940's WATERLOO BRIDGE. Here she is somewhat irritating in a small role.
Sports-minded individuals will get more of a kick out of this than the casual movie-goer looking for a good romantic comedy.