If I'd only known that this was the third in a series when I picked it up, I might have held back until I'd had the chance to study the first two instalments in some depth and subsequently come into Scarecrow Gone Wild fully prepared to appreciate all it had to offer. You'd think I'd have learned my lesson from the whole Kickboxer 4 farce (who is this feckless boy-child? Where's Jean-Claude? Why is Tong Po half his previous size?) - but no. Ah well, not to worry - at the end of the day I can safely say its charms weren't entirely lost on me.
In spite of several dull stretches as the film tries to make the lives of its mouth-breathing teenage sickle-fodder seem deep and involving, SGW is ultimately brimming over with so many top-quality "what the..." moments that it's impossible not to have fun with the damn thing. The Scarecrow drives! The Scarecrow hits the waves! The Scarecrow inexplicably gains the power of electrocution! The Scarecrow's head appears to be made of cast iron when someone clouts him with a fire extinguisher! It's all good stuff. And I'd never even heard of Ken Shamrock before this, but now I think he should be in every film ever made (alongside Christopher Lambert and Steven Seagal).
What's particularly endearing about Scarecrow Gone Wild is that everybody involved plays it as if they've been told it's some kind of intense art-house drama, although we do get the occasional flash of momentary self-awareness (the "watch out for the homicidal scarecrow" line near the end comes to mind). All in all, definitely one to remember, and roll on 10,001 Scarecrows... I think.
In spite of several dull stretches as the film tries to make the lives of its mouth-breathing teenage sickle-fodder seem deep and involving, SGW is ultimately brimming over with so many top-quality "what the..." moments that it's impossible not to have fun with the damn thing. The Scarecrow drives! The Scarecrow hits the waves! The Scarecrow inexplicably gains the power of electrocution! The Scarecrow's head appears to be made of cast iron when someone clouts him with a fire extinguisher! It's all good stuff. And I'd never even heard of Ken Shamrock before this, but now I think he should be in every film ever made (alongside Christopher Lambert and Steven Seagal).
What's particularly endearing about Scarecrow Gone Wild is that everybody involved plays it as if they've been told it's some kind of intense art-house drama, although we do get the occasional flash of momentary self-awareness (the "watch out for the homicidal scarecrow" line near the end comes to mind). All in all, definitely one to remember, and roll on 10,001 Scarecrows... I think.