Although brought to you by Chuck Jones and Michael Maltese, the geniuses behind "Duck Amuck," "Rabbit Rampage" isn't half the pic that is for one reason: their refusal to follow through on the premise.
In "Duck Amuck," Daffy has absolutely no control over what happens. Here, Bugs always has some control, even when he loses his cool; he even takes the paint brush away from his "tormentor." Daffy nearly comes to blows with his twin; Bugs kicks his twins out of the frame. Daffy never learns who drove him to the brink of madness; from the start, Bugs knows who's wielding that paint brush. Elmer declares he "finally got back" at Bugs, but did he? To "get back" at someone, you must have complete control. When Bugs brings down the "The End" card, which he tells Elmer he can't stop him from doing, he takes that control and comes out on top, as usual. That decision by Jones and Maltese dooms "Rabbit Rampage" to one of the rare misfires in the Bugs Bunny canon.
In "Duck Amuck," Daffy has absolutely no control over what happens. Here, Bugs always has some control, even when he loses his cool; he even takes the paint brush away from his "tormentor." Daffy nearly comes to blows with his twin; Bugs kicks his twins out of the frame. Daffy never learns who drove him to the brink of madness; from the start, Bugs knows who's wielding that paint brush. Elmer declares he "finally got back" at Bugs, but did he? To "get back" at someone, you must have complete control. When Bugs brings down the "The End" card, which he tells Elmer he can't stop him from doing, he takes that control and comes out on top, as usual. That decision by Jones and Maltese dooms "Rabbit Rampage" to one of the rare misfires in the Bugs Bunny canon.