It moves rather slowly much of the time, but this is an interesting drama with a performance from Hedy Lamarr that is well worth seeing in itself. The story is rather ambitious, and though it does not always fit together as well as it could have, it has a number of interesting aspects centering on Lamarr's character, Madeleine.
Madeleine is an interesting and complex character, starting out as a hard-driving, self-absorbed art editor, confronting an emotional crisis, and then starting a new life that brings its own challenges. It's a great role, and Lamarr fills it pretty well and makes good use of the material. The character is well-drawn enough to make the movie as a whole worthwhile despite a number of flaws elsewhere.
The supporting cast is solid, though most of the secondary characters don't have as much depth. They usually serve mainly to drive the plot and/or to develop the main character further. The psychiatrist character seems just a little exaggerated now, since the assumptions he makes are no longer accepted unquestioningly. The character would still work all right if he were made less infallible and inflexible.
The first part of the story probably works the best, painting an interesting picture of the changes in Madeleine's life. The courtroom sequence in the second half sometimes seems a bit contrived, but dramatically it works all right. Overall, the movie seems as if it could have been better with a few improvements, but it's worth seeing, and Lamarr provides a good reason to watch it.
Madeleine is an interesting and complex character, starting out as a hard-driving, self-absorbed art editor, confronting an emotional crisis, and then starting a new life that brings its own challenges. It's a great role, and Lamarr fills it pretty well and makes good use of the material. The character is well-drawn enough to make the movie as a whole worthwhile despite a number of flaws elsewhere.
The supporting cast is solid, though most of the secondary characters don't have as much depth. They usually serve mainly to drive the plot and/or to develop the main character further. The psychiatrist character seems just a little exaggerated now, since the assumptions he makes are no longer accepted unquestioningly. The character would still work all right if he were made less infallible and inflexible.
The first part of the story probably works the best, painting an interesting picture of the changes in Madeleine's life. The courtroom sequence in the second half sometimes seems a bit contrived, but dramatically it works all right. Overall, the movie seems as if it could have been better with a few improvements, but it's worth seeing, and Lamarr provides a good reason to watch it.