I mostly went to see "Merci pour le chocolat" because I had never seen a Claude Chabrol movie, so I have no basis of comparison with his other work.
The veddy British subtitles called it "Night Cap" which is much less interesting and resonant of the movie's images than the title of the novel it's based on, "The Chocolate Web," which was written by Charlotte Armstrong, but seems very Ruth Rendellian.
Isabelle Huppert of course is never uninteresting to watch, though this is the second movie in a row where the poor woman had to play a successful, middle-aged career woman with a serious problem, as in "The Piano Teacher (La Pianiste)." Hmm, do the French have a problem with such women, making them so twisted?
The movie starts out like a family saga of family businesses and secrets; I even thought it was going to do for the chocolate industry what "Les Destinees sentimentales" did for the porcelain industry.
But gradually the relationships come together into a mystery that doesn't quite pay off but gives a few horror chills in the process.
(originally written 9/2/2002)
The veddy British subtitles called it "Night Cap" which is much less interesting and resonant of the movie's images than the title of the novel it's based on, "The Chocolate Web," which was written by Charlotte Armstrong, but seems very Ruth Rendellian.
Isabelle Huppert of course is never uninteresting to watch, though this is the second movie in a row where the poor woman had to play a successful, middle-aged career woman with a serious problem, as in "The Piano Teacher (La Pianiste)." Hmm, do the French have a problem with such women, making them so twisted?
The movie starts out like a family saga of family businesses and secrets; I even thought it was going to do for the chocolate industry what "Les Destinees sentimentales" did for the porcelain industry.
But gradually the relationships come together into a mystery that doesn't quite pay off but gives a few horror chills in the process.
(originally written 9/2/2002)