As various members of the Gregory family gather for Christmas, secrets are revealed and tempers flare.
Clunky editing, theatrical directing and ridiculous casting choices should leave this film a creaky and dated mess, yet somehow it radiates a seasonal (and very British) charm. Richardson is hilariously miscast as the Gregory patriarch, donning 'old man' make-up and wandering in and out of a dodgy Oirish accent. As his 31 year old daughter Jenny, 43 year old Johnson fares better, convincing and always watchable as the dutiful child resigning herself to a future of servility. 30 year old Elliot is astonishingly youthful as twenty-something son Mick, and 30 year old Leighton captivating as troubled daughter Margaret.
Obviously an adaptation from the stage, many of the scenes play like theatre, although all credit to the cast for mostly toning done the theatrics. Best moment? Margaret telling Jenny about the tragedies of her life as they wash up after Christmas Eve dinner. Leighton and Johnson beautifully convey the shock and grief of Margaret's story, Johnson particularly fine as she reacts to the dreadful story, allowing surprise and delight turn to horror.
Yes The Holly And The Ivy is from another age, yes it has a theatrical flavour, yes Richardson is obviously far too young to play the elderly parson... nevertheless it remains a charming and quite moving seasonal favourite of mine.
Clunky editing, theatrical directing and ridiculous casting choices should leave this film a creaky and dated mess, yet somehow it radiates a seasonal (and very British) charm. Richardson is hilariously miscast as the Gregory patriarch, donning 'old man' make-up and wandering in and out of a dodgy Oirish accent. As his 31 year old daughter Jenny, 43 year old Johnson fares better, convincing and always watchable as the dutiful child resigning herself to a future of servility. 30 year old Elliot is astonishingly youthful as twenty-something son Mick, and 30 year old Leighton captivating as troubled daughter Margaret.
Obviously an adaptation from the stage, many of the scenes play like theatre, although all credit to the cast for mostly toning done the theatrics. Best moment? Margaret telling Jenny about the tragedies of her life as they wash up after Christmas Eve dinner. Leighton and Johnson beautifully convey the shock and grief of Margaret's story, Johnson particularly fine as she reacts to the dreadful story, allowing surprise and delight turn to horror.
Yes The Holly And The Ivy is from another age, yes it has a theatrical flavour, yes Richardson is obviously far too young to play the elderly parson... nevertheless it remains a charming and quite moving seasonal favourite of mine.