This very short film offers a brief consideration of the major works of Bertel Thorvaldsen (ca. 1770-1884), one of the most famous of all Danish artists and arguably the greatest sculptor between Bernini and Rodin. Resting squarely within the Neoclassical tradition, Thorvaldsen's great talent was his ability to perfectly balance his sculptures, giving them a sense of weightlessness. (Of course, the sculptures are also extremely beautiful, but in our post-WWII era there's something disquieting about admiring a northern European artist's conception of ideal physical beauty. I suppose that's unavoidable, but Thorvaldsen's reputation has happily escaped associations with Nazi ideology.) There is a museum in the center of Copenhagen dedicated solely to Thorvaldsen's work, and it's well worth a couple hours' visit -- even if you don't normally like sculpture.
Over the course of its 10 minutes or so, this film examines about a dozen of Thorvaldsen's largest and best-known statues, including "Hope," "Venus and the Apple," and his own self-portrait. The narrator gives us a refresher course on Thorvaldsen's career, style, and thematic concerns. Basically, it serves as a good introduction to the artist and his work. Since alternate English-language narration was recorded at the same time, I assume that this film was made by and for the Danish tourist industry in the late 1940s.
What makes this movie worth a second glance, however, is the fact that it was directed by yet another great Danish artist, the film director Carl Theodor Dreyer (best known for his silent "Passion of Joan of Arc"). It's not an important part of Dreyer's canon; throughout the 1940s and 1950s, Dreyer produced many short films to keep himself occupied (and to earn some money) between feature film projects. But the fact that Dreyer took the time to reflect on a fellow Danish artist, especially one who shared his own interest in depicting biblical figures and various forms of religious experience, gives this film an added level of interest. And of course, Dreyer's masterful use of light and shadow and close-ups show off Thorvaldsen's work to great advantage.
If you're interested in seeing this short film, it's available on Image Entertainment's DVD release of "The Parson's Widow," a genuinely funny comedy that Dreyer made in 1920. Unfortunately, "Thorvaldsen" is not in particularly good condition, but "The Parson's Widow" is OK. Best of all, the DVD also includes Dreyer's finest short film, the surprisingly effective "They Caught the Ferry," a short driver-safety film.
Over the course of its 10 minutes or so, this film examines about a dozen of Thorvaldsen's largest and best-known statues, including "Hope," "Venus and the Apple," and his own self-portrait. The narrator gives us a refresher course on Thorvaldsen's career, style, and thematic concerns. Basically, it serves as a good introduction to the artist and his work. Since alternate English-language narration was recorded at the same time, I assume that this film was made by and for the Danish tourist industry in the late 1940s.
What makes this movie worth a second glance, however, is the fact that it was directed by yet another great Danish artist, the film director Carl Theodor Dreyer (best known for his silent "Passion of Joan of Arc"). It's not an important part of Dreyer's canon; throughout the 1940s and 1950s, Dreyer produced many short films to keep himself occupied (and to earn some money) between feature film projects. But the fact that Dreyer took the time to reflect on a fellow Danish artist, especially one who shared his own interest in depicting biblical figures and various forms of religious experience, gives this film an added level of interest. And of course, Dreyer's masterful use of light and shadow and close-ups show off Thorvaldsen's work to great advantage.
If you're interested in seeing this short film, it's available on Image Entertainment's DVD release of "The Parson's Widow," a genuinely funny comedy that Dreyer made in 1920. Unfortunately, "Thorvaldsen" is not in particularly good condition, but "The Parson's Widow" is OK. Best of all, the DVD also includes Dreyer's finest short film, the surprisingly effective "They Caught the Ferry," a short driver-safety film.