Walking into "Match Point" as my first Woody Allen experience proves that I have a long way ahead in exploring cinematic excellence. Here Allen deftly plays with our expectations. At various points, the film appeared to be falling into conventional traps; for example, when the attraction between Nola and Chris became unbearably evident, but one of them was afraid to be seen together, I suspected the story to branch into the "forbidden love" territory a la "Brokeback Mountain." But not so! Or, when Chris was reluctant to accept an office job, I thought perhaps this film would explore his unhappiness with the business world, and where his heart really belonged, as a conventional film is expected to do after establishing the character's reluctance. My foreshadowing was off, and I'm glad that the seemingly conventional plot was nothing more than a warm up for the dark, haunting side of the human experience that is often overlooked because the truth hurts. If you have not seen this film, here is a word of warning to set the right expectation: do NOT expect to walk away charmed, and do expect "Match Point" to explore psychologically frightening territories. The story progresses through several phases, and Allen demonstrates that he refuses to give in to popular expectations. Nevertheless, keep in mind that Allen stated in an interview that he was not aiming for a depressive tone -- merely a realistic one, not that it isn't funny occasionally!
"Match Point" is my first Woody Allen experience, and I would rate it as a daring and powerful effort that transcends the limitations of popular cinema; I would not have expected any less from the legendary director.
"Match Point" is my first Woody Allen experience, and I would rate it as a daring and powerful effort that transcends the limitations of popular cinema; I would not have expected any less from the legendary director.