The Man Who Copied tells the story of a young adult attempting to break himself free from the life that society and fate has drawn for him. Andre, the protagonist, is a 19 year old Brazilian, toiling as a "photocopy operator," while pursuing his hobby comic illustration, and a love he is not sure he can realize. The film is filled with quaint analogies of "art imitating life" and vice versa, and portrays the exterior world and the personalities that inhabit it as illustrated avatars, behind which lurk unexpected and surprising motives, dreams, and desires. It IS very similar to the film "Amelie" in this aspect. The film is a painting depicting the many shades of truth, and shows the absurdity of preconception and expectation. It is bright, uplifting, and full of exciting plot twists that will keep the viewer glued to the screen until the very end (although it starts a bit slowly).
The director uses cinematic technique to portray a fragmented worldthat of Andre's existence, (as well as that of contemporary Brazil, as a whole) and attempts to scrutinize the minutiae of daily life in order to distill its essence and produce a vision of WHY we go about mundane and mechanical daily tasks, and how easily one can get caught up in a web of deception and false pretense. The photography is excellent, combining the brightness and color of South America with cutting edge editing and camera technique.
The film is also a subtle social commentary on the state of modern Brazil, illustrating the drastic economic disparity between the wealthy social elite and the pedestrian worker, yet stressing the fact that one can cross over to the other side with greater ease as technology and years advance. "The Man Who Copied" documents a class of people who live a short, but dramatically visible step above those portrayed in "City Of God," and really succeeds in drawing us into the mindset and dreams of the characters. This is a "coming of age" story, not just for its central characters, but for Brazil itself.
If you enjoy this film, I strongly suggest that you check out "City Of God," "Nine Queens," and "Amelie." All of them are foreign films (two from South America) and all share some unique common thread with this film. Highly Recommended!
The director uses cinematic technique to portray a fragmented worldthat of Andre's existence, (as well as that of contemporary Brazil, as a whole) and attempts to scrutinize the minutiae of daily life in order to distill its essence and produce a vision of WHY we go about mundane and mechanical daily tasks, and how easily one can get caught up in a web of deception and false pretense. The photography is excellent, combining the brightness and color of South America with cutting edge editing and camera technique.
The film is also a subtle social commentary on the state of modern Brazil, illustrating the drastic economic disparity between the wealthy social elite and the pedestrian worker, yet stressing the fact that one can cross over to the other side with greater ease as technology and years advance. "The Man Who Copied" documents a class of people who live a short, but dramatically visible step above those portrayed in "City Of God," and really succeeds in drawing us into the mindset and dreams of the characters. This is a "coming of age" story, not just for its central characters, but for Brazil itself.
If you enjoy this film, I strongly suggest that you check out "City Of God," "Nine Queens," and "Amelie." All of them are foreign films (two from South America) and all share some unique common thread with this film. Highly Recommended!