I saw it when it was first broadcast--and some of it again when rerun a year or two later. It made me very squidgy. The principals and producers weren't really comfortable with the material and it showed. The only thread of the story that was credible was Hope Lange's distress at having her son (or adopted son?) suddenly find out about his father's (or adoptive father's?) live-in boyfriend.
Scott Jacoby was horrendously miscast. The only way Hope Lange and Hal Holbrook could have had this ugly, obnoxious kid was to have taken in the child of some (unrelated) friends. Perhaps the other couple got killed in an auto accident--who knows? Anyway, it would make sense for Hal and Hope not to have had any kids of their own, so this created a whole new backstory that was not explicitly dealt with in the script. Here they were stuck with this pushy brat, and bending over backwards to be nice to him and smooth over his ruffled feelings, and they always got bupkis for their trouble.
The pivotal scene was Martin Sheen bringing out the birthday cake ('but it's noawt moy boitday!' kvetches the brat) and then Sheen has to swallow endless abuse and innuendo from the little creep, who (let's face it) knew the score from the moment he saw his 'father' living in the same house with this other guy. This is another example of disjuncture between the actual script and the story as portrayed: the Scott Jacoby character is an up-to-date, crudely aware little wiseguy, but the director and adult actors are going around pretending he's this delicate flower who's had a sheltered life. I imagine that the kid was a past-master at subtle psychological blackmail. This new 'revelation' just gives him more ammunition. His poor adoptive parents!
And the moral is: Don't adopt a kid who's obviously not yours. You'll get no thanks!
Scott Jacoby was horrendously miscast. The only way Hope Lange and Hal Holbrook could have had this ugly, obnoxious kid was to have taken in the child of some (unrelated) friends. Perhaps the other couple got killed in an auto accident--who knows? Anyway, it would make sense for Hal and Hope not to have had any kids of their own, so this created a whole new backstory that was not explicitly dealt with in the script. Here they were stuck with this pushy brat, and bending over backwards to be nice to him and smooth over his ruffled feelings, and they always got bupkis for their trouble.
The pivotal scene was Martin Sheen bringing out the birthday cake ('but it's noawt moy boitday!' kvetches the brat) and then Sheen has to swallow endless abuse and innuendo from the little creep, who (let's face it) knew the score from the moment he saw his 'father' living in the same house with this other guy. This is another example of disjuncture between the actual script and the story as portrayed: the Scott Jacoby character is an up-to-date, crudely aware little wiseguy, but the director and adult actors are going around pretending he's this delicate flower who's had a sheltered life. I imagine that the kid was a past-master at subtle psychological blackmail. This new 'revelation' just gives him more ammunition. His poor adoptive parents!
And the moral is: Don't adopt a kid who's obviously not yours. You'll get no thanks!