In good historical fiction as in good sci-fi what is revealed must be possible, even if not likely. Though a superior B shoot-'em-up, "Return of the Badmen" plays havoc with the history of the Old West, not only in location but also in time period. Billy the Kid was never in Indian Territory (Oklahoma). It is highly unlikely that the Sundance Kid was ever in Indian Territory. The Bill Doolin Gang with the Arkansas Kid are depicted fairly accurately as far as place is concerned. Doolin called his band of cutthroats "The Wild Bunch" so maybe the writers confused Doolin's gang with Butch Cassidy's Wild Bunch. It is also true that the Dalton Gang rode with the Doolin Gang in Indian Territory (Bill Doolin began his outlaw career with the Dalton Gang). The Younger Brothers with Frank and Jesse James hid out in Indian Territory but did not venture as far west as Guthrie. Cole Younger allegedly had a child (Pearl Starr) with Belle Starr in the area of today's eastern Oklahoma around Eufaula.
The time line is also out of sync. Billy the Kid was killed in 1881, Jesse in 1882. When Frank turned state's evidence, the Youngers left alive went to prison. The Coffeyville, Kansas, blunder was in 1892. The 1890's was the time of the Doolin Gang's peak activity, joined by remnants of the Dalton Gang. Butch Cassidy and the Sundance Kid were active at the turn of the century. As the later classic western, "Butch Cassidy and The Sundance Kid" shows, Cassidy's version of the Wild Bunch was the last notorious outlaw band of the Old West.
The Oklahoma Land Rush that led to the founding of Guthrie, Oklahoma, took place in 1889, several years after Billy the Kid's death. The part of the film showing Guthrie growing overnight to 10,000 inhabitants is historically accurate. The lawman who takes Cheyenne (Anne Jeffreys) into custody to deliver her to the federal court in Fort Smith, Arkansas, had a long journey before him. It is today an almost three-hour drive by car from Guthrie, Oklahoma, to Fort Smith, Arkansas.
I have read that because horror film producers were successfully grouping monsters together in one film, producers of westerns thought audiences would turn out to see oaters that grouped badmen together in one flick. If "Return of the Badmen" overdid it a bit, the concoction does make for an entertaining picture. At the crux of the story is the conflict between Marshal Vance Cordell (Randolph Scott) and the Sundance Kid (Robert Ryan). These two skilled actors make the whole hodgepodge work. The Sundance Kid is portrayed as a hothead who is more interested in killing the Marshal than in robbing banks. Ryan's concept of the Sundance Kid is quite different from Robert Redford's later incarnation of the badman. Redford's Kid is jovial, fun-loving, yet deadly when provoked. Ryan's Kid is dead serious, at heart a cold-blooded killer. As to be expected at the center of the rivalry is a woman, Cheyenne, a reformed outlaw, niece to Bill Doolin. To complicate the situation, the Marshal is already betrothed to the banker's daughter, Madge Allen (Jacqueline White), not the sweet, innocent young thing one might expect, but certainly with higher morals than the resourceful Cheyenne.
George "Gabby" Hayes, still a bewhiskered windbag, expands his sidekick characterization to include being a respected banker. This time around, rather than being the brunt of many a joke, Gabby is a good-hearted leading citizen standing up for law and order. He becomes a help to the Marshal, not a hindrance.
Director Ray Enright keeps the film moving with plenty of action, including a final shootout involving a burning cart of hay. "Return of the Badmen" is exciting and should please fans of B westerns of the 1940's.
The time line is also out of sync. Billy the Kid was killed in 1881, Jesse in 1882. When Frank turned state's evidence, the Youngers left alive went to prison. The Coffeyville, Kansas, blunder was in 1892. The 1890's was the time of the Doolin Gang's peak activity, joined by remnants of the Dalton Gang. Butch Cassidy and the Sundance Kid were active at the turn of the century. As the later classic western, "Butch Cassidy and The Sundance Kid" shows, Cassidy's version of the Wild Bunch was the last notorious outlaw band of the Old West.
The Oklahoma Land Rush that led to the founding of Guthrie, Oklahoma, took place in 1889, several years after Billy the Kid's death. The part of the film showing Guthrie growing overnight to 10,000 inhabitants is historically accurate. The lawman who takes Cheyenne (Anne Jeffreys) into custody to deliver her to the federal court in Fort Smith, Arkansas, had a long journey before him. It is today an almost three-hour drive by car from Guthrie, Oklahoma, to Fort Smith, Arkansas.
I have read that because horror film producers were successfully grouping monsters together in one film, producers of westerns thought audiences would turn out to see oaters that grouped badmen together in one flick. If "Return of the Badmen" overdid it a bit, the concoction does make for an entertaining picture. At the crux of the story is the conflict between Marshal Vance Cordell (Randolph Scott) and the Sundance Kid (Robert Ryan). These two skilled actors make the whole hodgepodge work. The Sundance Kid is portrayed as a hothead who is more interested in killing the Marshal than in robbing banks. Ryan's concept of the Sundance Kid is quite different from Robert Redford's later incarnation of the badman. Redford's Kid is jovial, fun-loving, yet deadly when provoked. Ryan's Kid is dead serious, at heart a cold-blooded killer. As to be expected at the center of the rivalry is a woman, Cheyenne, a reformed outlaw, niece to Bill Doolin. To complicate the situation, the Marshal is already betrothed to the banker's daughter, Madge Allen (Jacqueline White), not the sweet, innocent young thing one might expect, but certainly with higher morals than the resourceful Cheyenne.
George "Gabby" Hayes, still a bewhiskered windbag, expands his sidekick characterization to include being a respected banker. This time around, rather than being the brunt of many a joke, Gabby is a good-hearted leading citizen standing up for law and order. He becomes a help to the Marshal, not a hindrance.
Director Ray Enright keeps the film moving with plenty of action, including a final shootout involving a burning cart of hay. "Return of the Badmen" is exciting and should please fans of B westerns of the 1940's.