The movie was a poor remake or "interpretation" of Danny Kaye's "The Inspector General" (1949) which was based on Gogol's "The Revisor". Either you love A. van Duin or you don't. There is no accounting for taste. Maybe you can't argue with success either, but it is Carry On vs Monty Python, when you prefer van Duin over Koot & Bie. The film itself was indeed a vehicle to cash in on the man's popularity. The Dutch film industry had turned from plain, decent and descriptive to sexy or just randy (Turkish Delight or Blue Movie) when this kind of movie hit the billboards. And after it the Verhoeven's and so on were successful in the US. Then Theo van Gogh came...and was killed.
Review of De boezemvriend
