Not to be confused with the David Cronenberg movie of the same name, Crash is a film about racial tensions in Los Angeles. It paints a picture of people of different races living uneasily alongside one another, while doing their best to keep the 'others' at arms length as much as possible.
Crash boasts a large ensemble cast, ranging from established stars such as Don Cheadle and Sandra Bullock to unknown actors in breakthrough roles. Ensemble dramas can work well, but in Crash there are just too many different plot strands all vying for attention, leaving some badly underdeveloped. Bullock's character for one would definitely have benefited from more screen-time.
While the acting is strong throughout, the film is let down by its script. All anyone ever seems to talk about is race, and while this is obviously the main theme, this obsession detracts somewhat from the film's realism, and risks turning the characters into ciphers. Also everyone has to voice every thought that enters their heads, rather than occasionally letting their actions alone do the talking.
Crash is attempting to address race in the way that Traffic tackled drugs, and it is interesting to compare the two films. Traffic benefits from having fewer separate story lines, and when the strands came together at the end it is much more convincing. Also, the film feels less like a straightforward issue movie than Crash does.
While racism is the film's overarching concern, there are also spiritual overtones, which seem to be fashionable these days (they even appear in Superman Returns). In Crash they centre on a lock-fitter who pretends to hand a cloak of invincibility to his daughter. Without giving away the ending, it is very implausible, and doesn't appear to have much to do with the main thrust of the narrative.
There are some effective scenes in Crash, and even some humour (in the exchanges between the two young car-thieves). However, the film just has too many subplots, making it feel at times like an extended TV episode. Racism is certainly an issue that needs addressing, which makes it all the more disappointing that Crash doesn't rise to the occasion.
Crash boasts a large ensemble cast, ranging from established stars such as Don Cheadle and Sandra Bullock to unknown actors in breakthrough roles. Ensemble dramas can work well, but in Crash there are just too many different plot strands all vying for attention, leaving some badly underdeveloped. Bullock's character for one would definitely have benefited from more screen-time.
While the acting is strong throughout, the film is let down by its script. All anyone ever seems to talk about is race, and while this is obviously the main theme, this obsession detracts somewhat from the film's realism, and risks turning the characters into ciphers. Also everyone has to voice every thought that enters their heads, rather than occasionally letting their actions alone do the talking.
Crash is attempting to address race in the way that Traffic tackled drugs, and it is interesting to compare the two films. Traffic benefits from having fewer separate story lines, and when the strands came together at the end it is much more convincing. Also, the film feels less like a straightforward issue movie than Crash does.
While racism is the film's overarching concern, there are also spiritual overtones, which seem to be fashionable these days (they even appear in Superman Returns). In Crash they centre on a lock-fitter who pretends to hand a cloak of invincibility to his daughter. Without giving away the ending, it is very implausible, and doesn't appear to have much to do with the main thrust of the narrative.
There are some effective scenes in Crash, and even some humour (in the exchanges between the two young car-thieves). However, the film just has too many subplots, making it feel at times like an extended TV episode. Racism is certainly an issue that needs addressing, which makes it all the more disappointing that Crash doesn't rise to the occasion.