I imagine you all know the story...50 cameras handed out to the crowd, footage edited, mixed in with the pro shots, some crazy effects added...and so on and so forth.
But let's not forget though that this was a brave - whilst now proved brilliant - move. The Beasties, consistently over the years an energetic, entertaining and more often than not superb live attraction, have never released a live video/DVD before now. Now, in their 40's, this is probably the last chance they have to do so, and my god it couldn't be any better.
In keeping with the band's ideals to do things differently with innovation this DVD captures so much which is great about the Beasties. The sheer style of it....the shots are all well chosen and expertly edited (over a year in time frame) and visually I think the editing really gives a feel to the energy of this gig.
And what a gig. The track listing is near perfect, offering cuts from all 6 studio albums, albeit missing out on the hardcore (which was the same throughout the latest tour). The frenetic shots swarm through the likes Sure Shot and Shake Your Rump (where Ben Stiller can be seen rhyming along to every word), then cleverly slow down in time with the mid-set instrumental break, where the boys come out in 50's wedding style tuxes and play through the mellow grooves of instrumental career highlights such as 94's Sabrosa, and to great effect.
It's not just the songs though. Effects on the likes of Body Movin', where a living graffiti style offers something new, and the black and whiteness of An Open Letter to NYC... everything all plays it's part in this film, from these effects to the aforementioned editing. During Intergalactic, the Beasties make their way into the crowd, with an almost 'I can't believe how good this is!' effect. What's more, the cameras follow MCA, Adrock, Mike D through to the back of the arena, again proof that this film gives such a complete experience of a gig you probably weren't at.
Other highlights come in the way of Time to Get Ill, where the Beasties are joined by Doug E Fresh, or the crowd singing Paul Revere word for word and the band beaming at their efforts. All special moments from what had to be an incredible show. All these individual moments make up something which go's back to the general idea. The cool idea of the fans being so involved, and the boys putting so much trust in such spontaneous film making.
By closer Sabotage, it feels like you've witnessed an event, from the early shots of the band making their way on stage and the fans being told to keep on filming, right through to Ben Stiller proclaiming the show as one of the best he's been to in the end credits. Obviously, I'm a fan...but I imagine you are too if you're reading this, and trust me, if you like the Beastie Boys then this is essential.
The extras offer a chance to switch between some of the cameras, take detours at certain points in the concert (which is all explained in the DVD manual), listen to the mic's acapella...they're all above anyway I think. I'm not too sure about the David Cross portrayal of Hornblower, but the BBQ extra really made me laugh a few times. The exclusive Shazam! video allows you to switch audio and angles during playback (in line with the Criterion DVD). For me though, there could have been no extras and I still would have loved this concert film. One of the best things ever to come from one of the best bands over the last 20 years.
But let's not forget though that this was a brave - whilst now proved brilliant - move. The Beasties, consistently over the years an energetic, entertaining and more often than not superb live attraction, have never released a live video/DVD before now. Now, in their 40's, this is probably the last chance they have to do so, and my god it couldn't be any better.
In keeping with the band's ideals to do things differently with innovation this DVD captures so much which is great about the Beasties. The sheer style of it....the shots are all well chosen and expertly edited (over a year in time frame) and visually I think the editing really gives a feel to the energy of this gig.
And what a gig. The track listing is near perfect, offering cuts from all 6 studio albums, albeit missing out on the hardcore (which was the same throughout the latest tour). The frenetic shots swarm through the likes Sure Shot and Shake Your Rump (where Ben Stiller can be seen rhyming along to every word), then cleverly slow down in time with the mid-set instrumental break, where the boys come out in 50's wedding style tuxes and play through the mellow grooves of instrumental career highlights such as 94's Sabrosa, and to great effect.
It's not just the songs though. Effects on the likes of Body Movin', where a living graffiti style offers something new, and the black and whiteness of An Open Letter to NYC... everything all plays it's part in this film, from these effects to the aforementioned editing. During Intergalactic, the Beasties make their way into the crowd, with an almost 'I can't believe how good this is!' effect. What's more, the cameras follow MCA, Adrock, Mike D through to the back of the arena, again proof that this film gives such a complete experience of a gig you probably weren't at.
Other highlights come in the way of Time to Get Ill, where the Beasties are joined by Doug E Fresh, or the crowd singing Paul Revere word for word and the band beaming at their efforts. All special moments from what had to be an incredible show. All these individual moments make up something which go's back to the general idea. The cool idea of the fans being so involved, and the boys putting so much trust in such spontaneous film making.
By closer Sabotage, it feels like you've witnessed an event, from the early shots of the band making their way on stage and the fans being told to keep on filming, right through to Ben Stiller proclaiming the show as one of the best he's been to in the end credits. Obviously, I'm a fan...but I imagine you are too if you're reading this, and trust me, if you like the Beastie Boys then this is essential.
The extras offer a chance to switch between some of the cameras, take detours at certain points in the concert (which is all explained in the DVD manual), listen to the mic's acapella...they're all above anyway I think. I'm not too sure about the David Cross portrayal of Hornblower, but the BBQ extra really made me laugh a few times. The exclusive Shazam! video allows you to switch audio and angles during playback (in line with the Criterion DVD). For me though, there could have been no extras and I still would have loved this concert film. One of the best things ever to come from one of the best bands over the last 20 years.