Just saw Tanovic's "L'Enfer" last night at Sarajevo Film Festival. Being a Bosnian himself and being the only Director from this region who has ever won an Oscar (which is a source of envy on the part of many film-makers, critics and others in the industry who use every opportunity to blemish him and his work in sensationalism-prone media), he received a seating (unfortunately, not standing) ovation from the crowd. In my view, he deserves a standing ovation for his rendering of the script of a legendary Polish film-maker, Kiezslowski.
This is Tanovic's second movie after an awe-inspiring Oscar-winning debut (for those of you who do not hold Oscar in high esteem, he won a dozen awards from film academies and organizations all over the place). One might say that "L'Enfer" is a perfectly French movie with its setting, acting and pace, just as No Man's Land perfectly captured the essence of Bosnian predicament at the time. I was impressed by Tanovic's ability to make his movies very much recognizable, and yet retaining that note of universality that is very much needed for full appreciation by the international audience.
Nothing in this movie seems redundant or out of place to me, and everything from the opening scene, which is bordering on spectacular, down to the last words of Carol Bouqet with which the movie ends is in service of good film-making. Overall, Tanovic's "L'Enfer" is a worthwhile cinematic experience, a modern tragedy well-captured by a director with an eye for a detail, and finally an exciting second movie that will be, I'm sure, appreciated by movie-goers around the globe. An intelligent, likable, and well-executed piece! I could not wish for more.
This is Tanovic's second movie after an awe-inspiring Oscar-winning debut (for those of you who do not hold Oscar in high esteem, he won a dozen awards from film academies and organizations all over the place). One might say that "L'Enfer" is a perfectly French movie with its setting, acting and pace, just as No Man's Land perfectly captured the essence of Bosnian predicament at the time. I was impressed by Tanovic's ability to make his movies very much recognizable, and yet retaining that note of universality that is very much needed for full appreciation by the international audience.
Nothing in this movie seems redundant or out of place to me, and everything from the opening scene, which is bordering on spectacular, down to the last words of Carol Bouqet with which the movie ends is in service of good film-making. Overall, Tanovic's "L'Enfer" is a worthwhile cinematic experience, a modern tragedy well-captured by a director with an eye for a detail, and finally an exciting second movie that will be, I'm sure, appreciated by movie-goers around the globe. An intelligent, likable, and well-executed piece! I could not wish for more.