'The Beach' is an adaptation of Alex Garland's popular novel. The film is terrific to look at, and has some genuinely suspenseful moments, but ends up being a glossy showcase for Leonardo DiCaprio.
Now, don't get me wrong - Leo is actually very good as the film's central protagonist, a hyper-cocky and brash Yankee tourist who discovers 'Paradise', only to ruin it. (But does he? And was it paradise to begin with?) Let's just say, he's along way from the box-office B.S. that was 'Titanic' (note for those who've been following my reviews: I am NOT touching that film - even I wouldn't stoop so low as to give time to that rubbish)
However, the problem is that it's all about Leo. The rest of the cast fades to the background - and that includes Tilda Swinton, a brilliant performer who tries hard in the underdeveloped role of the island's icy leader. And Robert Carlyle, whose appearance is reduced to a mere cameo. They are there to make Leo angry, make Leo laugh, make Leo horny, make Leo afraid, etc, etc
And, after a while ... well, one wonders whether it's worth it. Especially when Leo's character goes bonkers. It's very hard to feel pity for such a naive cretin (though one wonders whether they are supposed to). And it's hard not to laugh when Leo does Marlon Brando a la 'Apocalypse Now' (the horror, the horror!)
With its insights about tourism, consumerism and democracy, 'The Beach' is a cut above much 'blockbuster' Hollywood fare. But only just. Leo might be a competent performer, but an overemphasis upon the young actor means the film is more indulgent than insightful.
Now, don't get me wrong - Leo is actually very good as the film's central protagonist, a hyper-cocky and brash Yankee tourist who discovers 'Paradise', only to ruin it. (But does he? And was it paradise to begin with?) Let's just say, he's along way from the box-office B.S. that was 'Titanic' (note for those who've been following my reviews: I am NOT touching that film - even I wouldn't stoop so low as to give time to that rubbish)
However, the problem is that it's all about Leo. The rest of the cast fades to the background - and that includes Tilda Swinton, a brilliant performer who tries hard in the underdeveloped role of the island's icy leader. And Robert Carlyle, whose appearance is reduced to a mere cameo. They are there to make Leo angry, make Leo laugh, make Leo horny, make Leo afraid, etc, etc
And, after a while ... well, one wonders whether it's worth it. Especially when Leo's character goes bonkers. It's very hard to feel pity for such a naive cretin (though one wonders whether they are supposed to). And it's hard not to laugh when Leo does Marlon Brando a la 'Apocalypse Now' (the horror, the horror!)
With its insights about tourism, consumerism and democracy, 'The Beach' is a cut above much 'blockbuster' Hollywood fare. But only just. Leo might be a competent performer, but an overemphasis upon the young actor means the film is more indulgent than insightful.