As a lengthy TV movie, "The Path to 9/11" makes for rather compelling viewing at times. It's a polished, well mounted movie that begins with the Sept. 11, 2001 hijackings, and then backtracks to the attack on the World Trade Center in 1993. The story essentially is a set up to what led up to the 2001 attacks.
But, frankly, it works better as a piece of fictionalized truth than an authentic telling of the official 9/11 Commission Report. ABC might be insisting that their film is a "docudrama" rather than an accurate portrayal of the report's findings, but they and the filmmakers have gone a long way in promoting this as a definitive depiction of that report. In addition to the 9/11 Report, opening credits state the film is partly based on "The Cell" by John Miller and Michael Stone, while closing credits list "1000 Years For Revenge" by Peter Lance and "Relentless Pursuit" by Samuel M. Katz.
A disclaimer at the beginning says the film compresses time and some characters, but altering facts for dramatic purposes might not have been the best thing to do with this story.
Although there are several hundred characters in this $40 million film, writer Cyrus Nowrasteh, who, apparently OxyContin Limbaugh likes to call friend, wisely chose to concentrate on a few, especially John O'Neill (Harvey Keitel), an FBI agent who helped track down the 1993 bombers, relentlessly tracked terrorists and died in the 2001 attacks when he was WTC's security chief.
The performances are good - from Keitel to Penny Johnson Jerald as Condi Rice to Mido Hamada as Northern Alliance leader Ahmad Shah Massoud (assassinated two days before the 9/11 attacks) to Donnie Wahlberg as a spy (likely a composite character). Some characters, however, seem tossed in for no reason, including the American ambassador to Yemen, whose motives are inexplicable and not explained.
The film bounces back and forth in time, but wasn't confusing. I wasn't bored, though how Nowrasteh opted to tell some of the story is utterly perplexing. The film also has a gritty style, reminiscent of Steven Soderbergh's "Traffic" (2000).
Where the film completely falls apart - I've no idea why Nowrasteh did this - is in crucial scenes so clearly made up for dramatic effect and to take potshots at the Clinton administration. I realize Nowrasteh calls himself a conservative, but the liberties he takes are preposterous.
Did a film about 9/11 and the events leading up to it really need additional fiction for dramatic effect? Reminded me of the 1929 film version of "The Taming of the Shrew" with the credit, "By William Shakespeare with additional dialogue by Sam Taylor."
By now, almost everyone knows the major issues in Nowrasteh's script. He intercuts scenes of federal agents working hard and being stymied in their efforts with footage of Clinton during the Lewinsky scandal, including a bit from the former president's grand jury testimony.
(Odd, isn't it, that we spent $40 million to prove our president likes sex, but the same people who clamored for justice and truth then now conveniently ignore that we've spent billions fighting a senseless war on false pretenses and that not a single person in the Bush administration has been held accountable for all the failures leading up to the invasion of Iraq and since then. Instead, Bush honored people who completely screwed up with the Medal of Freedom.)
Nowrasteh clearly implies Clinton was too distracted by the scandal to pay attention to terrorism. Nowrasteh conveniently forgets that during that period, the Republicans pounced on Clinton and said he was using missile attacks against terrorists to distract the nation from Monica! He also accuses Clinton officials of balking when the CIA, with the help of the Northern Alliance, literally were a few feet from nabbing a sleeping bin Laden in Afghanistan. We all know this is pure fiction and is nowhere in the 9/11 Report. So why put it in? The same applies to an indictment of ex-Secretary of State Madeleine Albright, who Nowrasteh accuses of thwarting the missile attack on bin Laden's camp.
I don't know what changes ABC has done for the final version. I oppose attempts to get ABC to pull the film. That's asinine. But ABC should not - as it has clearly done - promote this film as factual. Clearly this film has an agenda, one that spurts forth from the imagination of someone who seemingly decided to put almost the entire blame for 9/11 on a popular president conservatives despised and still despise.
What's strange about the furor is that the conservatives who are crying foul over some liberals being upset about the film are the same people who were livid beyond description and successfully got CBS to cancel the airing of the TV movie, "The Reagans" (2003), on the network because of one line of dialogue in the film. And remember when conservatives asked theaters not to screen "Fahrenheit 9/11" (2004)? I suppose it's too much to expect Mr. OxyContin and his dunderheads to acknowledge their own hypocrisy.
As a thriller, "The Path to 9/11" occasionally clicks. Hence, me giving it a 5-star rating. It keeps the viewer interested and intrigued. But it's outrageous for ABC to imply this film sticks to the facts. Nowrasteh and Cunningham have taken the 9/11 Commission Report, tossed in a smidgen or two from other books, and then added their own imagination to a story that is still fresh in everyone's mind.
There's plenty of blame to go around regarding the government's failure to connect the dots that led up to the 2001 attacks. The commissioners attributed the inability to make the links to a lack of imagination.
You can't accuse Nowrasteh or Cunningham of lacking imagination, that's for sure.
Wanna see an accurate film on the lead-up to the attacks? Watch the History Channel's documentary, "The 9/11 Commission Report."
But, frankly, it works better as a piece of fictionalized truth than an authentic telling of the official 9/11 Commission Report. ABC might be insisting that their film is a "docudrama" rather than an accurate portrayal of the report's findings, but they and the filmmakers have gone a long way in promoting this as a definitive depiction of that report. In addition to the 9/11 Report, opening credits state the film is partly based on "The Cell" by John Miller and Michael Stone, while closing credits list "1000 Years For Revenge" by Peter Lance and "Relentless Pursuit" by Samuel M. Katz.
A disclaimer at the beginning says the film compresses time and some characters, but altering facts for dramatic purposes might not have been the best thing to do with this story.
Although there are several hundred characters in this $40 million film, writer Cyrus Nowrasteh, who, apparently OxyContin Limbaugh likes to call friend, wisely chose to concentrate on a few, especially John O'Neill (Harvey Keitel), an FBI agent who helped track down the 1993 bombers, relentlessly tracked terrorists and died in the 2001 attacks when he was WTC's security chief.
The performances are good - from Keitel to Penny Johnson Jerald as Condi Rice to Mido Hamada as Northern Alliance leader Ahmad Shah Massoud (assassinated two days before the 9/11 attacks) to Donnie Wahlberg as a spy (likely a composite character). Some characters, however, seem tossed in for no reason, including the American ambassador to Yemen, whose motives are inexplicable and not explained.
The film bounces back and forth in time, but wasn't confusing. I wasn't bored, though how Nowrasteh opted to tell some of the story is utterly perplexing. The film also has a gritty style, reminiscent of Steven Soderbergh's "Traffic" (2000).
Where the film completely falls apart - I've no idea why Nowrasteh did this - is in crucial scenes so clearly made up for dramatic effect and to take potshots at the Clinton administration. I realize Nowrasteh calls himself a conservative, but the liberties he takes are preposterous.
Did a film about 9/11 and the events leading up to it really need additional fiction for dramatic effect? Reminded me of the 1929 film version of "The Taming of the Shrew" with the credit, "By William Shakespeare with additional dialogue by Sam Taylor."
By now, almost everyone knows the major issues in Nowrasteh's script. He intercuts scenes of federal agents working hard and being stymied in their efforts with footage of Clinton during the Lewinsky scandal, including a bit from the former president's grand jury testimony.
(Odd, isn't it, that we spent $40 million to prove our president likes sex, but the same people who clamored for justice and truth then now conveniently ignore that we've spent billions fighting a senseless war on false pretenses and that not a single person in the Bush administration has been held accountable for all the failures leading up to the invasion of Iraq and since then. Instead, Bush honored people who completely screwed up with the Medal of Freedom.)
Nowrasteh clearly implies Clinton was too distracted by the scandal to pay attention to terrorism. Nowrasteh conveniently forgets that during that period, the Republicans pounced on Clinton and said he was using missile attacks against terrorists to distract the nation from Monica! He also accuses Clinton officials of balking when the CIA, with the help of the Northern Alliance, literally were a few feet from nabbing a sleeping bin Laden in Afghanistan. We all know this is pure fiction and is nowhere in the 9/11 Report. So why put it in? The same applies to an indictment of ex-Secretary of State Madeleine Albright, who Nowrasteh accuses of thwarting the missile attack on bin Laden's camp.
I don't know what changes ABC has done for the final version. I oppose attempts to get ABC to pull the film. That's asinine. But ABC should not - as it has clearly done - promote this film as factual. Clearly this film has an agenda, one that spurts forth from the imagination of someone who seemingly decided to put almost the entire blame for 9/11 on a popular president conservatives despised and still despise.
What's strange about the furor is that the conservatives who are crying foul over some liberals being upset about the film are the same people who were livid beyond description and successfully got CBS to cancel the airing of the TV movie, "The Reagans" (2003), on the network because of one line of dialogue in the film. And remember when conservatives asked theaters not to screen "Fahrenheit 9/11" (2004)? I suppose it's too much to expect Mr. OxyContin and his dunderheads to acknowledge their own hypocrisy.
As a thriller, "The Path to 9/11" occasionally clicks. Hence, me giving it a 5-star rating. It keeps the viewer interested and intrigued. But it's outrageous for ABC to imply this film sticks to the facts. Nowrasteh and Cunningham have taken the 9/11 Commission Report, tossed in a smidgen or two from other books, and then added their own imagination to a story that is still fresh in everyone's mind.
There's plenty of blame to go around regarding the government's failure to connect the dots that led up to the 2001 attacks. The commissioners attributed the inability to make the links to a lack of imagination.
You can't accuse Nowrasteh or Cunningham of lacking imagination, that's for sure.
Wanna see an accurate film on the lead-up to the attacks? Watch the History Channel's documentary, "The 9/11 Commission Report."