James Cagney wanted to do more than play gangsters, and he loved dancing. Warner Brothers was having none of it so Cagney successfully got out of his contract and signed to do two films with Grand National Pictures. Something to Sing About was the first. The movie's a great look at a singing, dancing Jimmy Cagney. That it's only a so-so film is almost beside the point.
The story is amusing most of the time. It gives us several musical numbers, including two full-blown productions with Cagney. It's also takes a lot of gentle pokes at the movie business. Terry Rooney (Cagney) is a Broadway nightclub song and dance man. He's happy and ambitious. He's got his band and he has his cute, adoring fiancée, Rita (Evelyn Daws). When he's offered a chance to star in a movie, he grabs it and heads west. But the studio boss realizes Terry is a potential big star, so instructs everyone not to praise him. He doesn't want Terry to get a big head. Terry, finally fed up, finishes the movie and heads back to Rita. They marry and take a long cruise on a freighter for a honeymoon. But wait. Terry's movie is a smash. The public want more of Terry Rooney. When he and Rita return, the studio boss, Bennett O. "B.O." Regan (Gene Lockhart), and the studio's press head, Hank Meyers (William Frawley), convince Terry to sign a seven-year contract. All Terry has to do is keep secret his marriage. Rita, loving Terry, agrees and becomes his secretary. He starts a second movie as a star, but there are misunderstandings, more Hollywood press shenanigans, a co-star who wants more attention, more Hollywood columnists who want scoops about phony romances. Finally, Rita has had enough and returns to New York and the band. Terry, seeing how all the Hollywood razzmatazz is separating himself from Rita, follows her...and they reunite in a production number on the stage of the nightclub before a sell-out crowd.
The best things about this movie are Cagney, his song and dance numbers and the fairly gentle but pointed pokes at Hollywood movie making. Cagney gets two big numbers and they're a lot of fun. One opens the movie with his nightclub act, singing, dancing up and down stairs and obviously enjoying himself immensely. The second is on the freighter. He joins crew members for an evening's entertainment of tap dancing, tumbling and cross- dressing.
How do you describe Cagney's dancing? It's unique. He goes at it with great energy, stiff- legged, straight backed and with his rear out. He combines tap, some ballet moves and old- fashioned hoofing. And he's fast. Gene Lockhart does a great job as "B.O.," the studio boss, pompous and petulant, a man who sees yes-men as essential to success. Evelyn Daws plays Rita. Daws was a young singer with a trained soprano; she was a discovery of the director, Victor Schertzinger. She sounds like Jeanette MacDonald's little sister and can hit high notes that'll cause nose bleeds. Daws made one movie after this and was never heard from again. After Cagney, Philip Ahn is one of the most interesting characters in the movie. He plays Ito, Cagney's gentleman's gentleman, with ludicrous pidgin-English...until we learn he speaks better than most everyone else in the movie.
For fans of Cagney, the movie is probably a must.
The story is amusing most of the time. It gives us several musical numbers, including two full-blown productions with Cagney. It's also takes a lot of gentle pokes at the movie business. Terry Rooney (Cagney) is a Broadway nightclub song and dance man. He's happy and ambitious. He's got his band and he has his cute, adoring fiancée, Rita (Evelyn Daws). When he's offered a chance to star in a movie, he grabs it and heads west. But the studio boss realizes Terry is a potential big star, so instructs everyone not to praise him. He doesn't want Terry to get a big head. Terry, finally fed up, finishes the movie and heads back to Rita. They marry and take a long cruise on a freighter for a honeymoon. But wait. Terry's movie is a smash. The public want more of Terry Rooney. When he and Rita return, the studio boss, Bennett O. "B.O." Regan (Gene Lockhart), and the studio's press head, Hank Meyers (William Frawley), convince Terry to sign a seven-year contract. All Terry has to do is keep secret his marriage. Rita, loving Terry, agrees and becomes his secretary. He starts a second movie as a star, but there are misunderstandings, more Hollywood press shenanigans, a co-star who wants more attention, more Hollywood columnists who want scoops about phony romances. Finally, Rita has had enough and returns to New York and the band. Terry, seeing how all the Hollywood razzmatazz is separating himself from Rita, follows her...and they reunite in a production number on the stage of the nightclub before a sell-out crowd.
The best things about this movie are Cagney, his song and dance numbers and the fairly gentle but pointed pokes at Hollywood movie making. Cagney gets two big numbers and they're a lot of fun. One opens the movie with his nightclub act, singing, dancing up and down stairs and obviously enjoying himself immensely. The second is on the freighter. He joins crew members for an evening's entertainment of tap dancing, tumbling and cross- dressing.
How do you describe Cagney's dancing? It's unique. He goes at it with great energy, stiff- legged, straight backed and with his rear out. He combines tap, some ballet moves and old- fashioned hoofing. And he's fast. Gene Lockhart does a great job as "B.O.," the studio boss, pompous and petulant, a man who sees yes-men as essential to success. Evelyn Daws plays Rita. Daws was a young singer with a trained soprano; she was a discovery of the director, Victor Schertzinger. She sounds like Jeanette MacDonald's little sister and can hit high notes that'll cause nose bleeds. Daws made one movie after this and was never heard from again. After Cagney, Philip Ahn is one of the most interesting characters in the movie. He plays Ito, Cagney's gentleman's gentleman, with ludicrous pidgin-English...until we learn he speaks better than most everyone else in the movie.
For fans of Cagney, the movie is probably a must.