Kieslowski's astonishing ability, identified by Kubrick as "dramatizing ideas rather than just talking about them" is the core of all energy which flows through each sequence. Thanks to his rare ability, he transforms a religious canon into a cinematic myth which almost has become a Kieslowskian cult. However, although he creates a micro cosmos of human conditions in a mass apartment site, his opus reflects almost any political ideas which can be interpreted as the suppression of politics by any mystic movement. Regarding Kieslowski's religious choice and his free adaptation of the ten commandments, is it an over interpretation or exaggeration? Maybe.
Review of Dekalog
