This is (after Grave Danger) one of the best episodes dedicated to Nick Stokes, performed delightfully by George Eads. A Hanssel and Gretel kind of story mixes with the CSI team investigating a brutal three going to four murders case in a derelict house in the middle of nowhere.
In that place Nick finds himself in the same situation his friends and companions were in the past looking for him, but now he looks for the lost little girl. Although the chapter has plenty calm scenes, the rhythm is unstoppable, and the Emmy to best cinematography is perfectly delivered, although George deserved another for his performance.
The best episode of this season by far, everybody (fans or not of CSI) should watch it. Twice.
In that place Nick finds himself in the same situation his friends and companions were in the past looking for him, but now he looks for the lost little girl. Although the chapter has plenty calm scenes, the rhythm is unstoppable, and the Emmy to best cinematography is perfectly delivered, although George deserved another for his performance.
The best episode of this season by far, everybody (fans or not of CSI) should watch it. Twice.