A clever piece of work, this film - Richard Attenborough's first as director and an adaptation of the production by Joan Littlewood's Theatre Workshop - considers the pure futility and waste of World War One by presenting it as a 'war game' based in and around Brighton; on the West Pier, atop a Helter Skelter, etc.
The central characters are the Smith family - several sons and nephews, a grandad, mother, wives and younger children. All have tickets for the game, welcomed in at Douglas Haig's booth (Haig puts his own words to 'I do like to be beside the seaside' = 'I do love to see a man in khaki'). They are the routes by which we follow the various battles and conflicts through the war, punctuated by a soundtrack of popular songs of the period ('It's a Long Way to Tipperary', 'Keep The Home Fires Burning', 'and so on).
Oh! What a Lovely War manages to be daring, funny, and moving, and boasts a starry set of cameos including Olivier, Gielgud, Richardson, Maggie Smith, Dirk Bogarde, Kenneth More, Ian Holm, and Vanessa Redgrave. It covers all of the conflict, from the assassination of the Archduke of Austria, through to the Christmas truce in the trenches, to the war's conclusion. Poppies play their part, as well they might, to indicate the scale of loss of life; and a final tracking shot on the Sussex Downs attempts to give some indication of the wanton destruction of 'cannon fodder' by the powers-that-be.
As a pure war film, this would never work. As a satirical musical, it stands up extremely well, and has many memorable moments to reward the viewer when they see the film again and again. Attenborough himself of course would go on to greater things, culminating in the Oscar-winning Gandhi some 13 years later, but this is an excellent debut, sure of itself and without getting bogged down in cloying sentimentality.
The central characters are the Smith family - several sons and nephews, a grandad, mother, wives and younger children. All have tickets for the game, welcomed in at Douglas Haig's booth (Haig puts his own words to 'I do like to be beside the seaside' = 'I do love to see a man in khaki'). They are the routes by which we follow the various battles and conflicts through the war, punctuated by a soundtrack of popular songs of the period ('It's a Long Way to Tipperary', 'Keep The Home Fires Burning', 'and so on).
Oh! What a Lovely War manages to be daring, funny, and moving, and boasts a starry set of cameos including Olivier, Gielgud, Richardson, Maggie Smith, Dirk Bogarde, Kenneth More, Ian Holm, and Vanessa Redgrave. It covers all of the conflict, from the assassination of the Archduke of Austria, through to the Christmas truce in the trenches, to the war's conclusion. Poppies play their part, as well they might, to indicate the scale of loss of life; and a final tracking shot on the Sussex Downs attempts to give some indication of the wanton destruction of 'cannon fodder' by the powers-that-be.
As a pure war film, this would never work. As a satirical musical, it stands up extremely well, and has many memorable moments to reward the viewer when they see the film again and again. Attenborough himself of course would go on to greater things, culminating in the Oscar-winning Gandhi some 13 years later, but this is an excellent debut, sure of itself and without getting bogged down in cloying sentimentality.