Based on John Fowles' influential novel of the same title, The Collector is a dark and pioneering film that presents us with a character unlike most other cinematic psychopaths and a situation ripe with gripping tension. Helmed by experienced director William Wyler - man who turned his hand to, and was mostly successful with, a number of genres throughout his illustrious career, The Collector is an exercise in classy, high quality horror and is an obvious front runner to films like The Silence of the Lambs. Incidentally, The Collector probably stands up better today than it did upon its release over forty years ago. The story focuses on Freddie Clegg, a wealthy but lonely man who lives in solitude in an old Tudor style mansion out in the country. His hobby is collecting and mounting butterflies, and one day he decides to apply what he knows about his hobby to the world of romance, and proceeds to deck out his basement so that a human can live there, and then goes and captures himself a 'girlfriend'. The unlucky lady is Miranda Grey, a woman who isn't too happy to oblige the collector's strange purpose for kidnapping her.
The book that this film was based on not only went on to influence other works of fiction, but also apparently became an influence for real life serial killers. The Collector's influence has allegedly inspired at least five actual serial killers; and if that isn't a harrowing fact about this story; I don't know what is! The story itself never delves into the realms of impossibility, and manages to stay realistic throughout, which lends the film an effective edge. The main focus is always on the relationship between the collector and his captive, and director William Wyler is keen to keep this at the forefront of the film. The conversations they have and the actions between the two represents compulsive viewing, and that is definitely where the true greatness of this film shines through; the scene involving the Catcher in the Eye and Picasso is this film at it's best. The style of the movie is very British, and this is complimented by the central performers. Terence Stamp is wonderfully understated, but still impressively insane, while Samantha Eggar makes a mark as the unfortunate victim. Overall, I guess that the reason why this film isn't too well respected today is down to the fact that it was so ahead of it's time. However, if you want a thriller that offers some brilliant suspense and a realistic story - The Collector is a must see!
The book that this film was based on not only went on to influence other works of fiction, but also apparently became an influence for real life serial killers. The Collector's influence has allegedly inspired at least five actual serial killers; and if that isn't a harrowing fact about this story; I don't know what is! The story itself never delves into the realms of impossibility, and manages to stay realistic throughout, which lends the film an effective edge. The main focus is always on the relationship between the collector and his captive, and director William Wyler is keen to keep this at the forefront of the film. The conversations they have and the actions between the two represents compulsive viewing, and that is definitely where the true greatness of this film shines through; the scene involving the Catcher in the Eye and Picasso is this film at it's best. The style of the movie is very British, and this is complimented by the central performers. Terence Stamp is wonderfully understated, but still impressively insane, while Samantha Eggar makes a mark as the unfortunate victim. Overall, I guess that the reason why this film isn't too well respected today is down to the fact that it was so ahead of it's time. However, if you want a thriller that offers some brilliant suspense and a realistic story - The Collector is a must see!