The fourth of the Evart profile pictures following Jennifer Welles, Gloria Leonard and Seka and predating Little Oral Annie and Angel Cash centers on the unique Annie Sprinkle, one of the most gloriously sexual women who ever walked on God's earth and a great personal heroine of mine to boot. No carnal act between consenting adults could ever be kinky to Annie, the Mother Theresa of sex, whose stage shows, work shops, books, movies and what not have accomplished tons of tiny miracles in changing people's consciousness and the way they view themselves as well as the way they (and others) live and love. The once shy little Jewish girl named Ellen has struggled with her own identity and preferences throughout much of her adult life, a struggle she has candidly shared with the rest of the world, her army of admirers steadily growing over the years. DEEP INSIDE ANNIE SPRINKLE undoubtedly contains more truth than its fellow profile films and remains a lot of people's personal favorite of the series.
As usual, director's credit goes to the star, though veteran filmmaker Joe Sarno once again helped out as evidenced by the many extremely well-handled sex sequences which tend to get a tad "nastier" here in keeping with Annie's "anything goes" nature. Highlights include the star's worship of male buttocks (and all that comes with them ) courtesy of curly-haired cute guy Marc Valentine (Christie Ford's trick from Howard Winter's PLATINUM PARADISE), a totally erotic urination scene with Scott "Mal O'Ree" Mallory similar to the one they shared in Gerard Damiano's stupendous SATISFIERS OF ALPHA BLUE and the romantic lovemaking with hunky Ron Hudd, the "perfect stranger" telephone repair man with Samantha Fox in Chuck Vincent's wonderful JACK 'N' JILL. A seven girl slumber party offers several interesting configurations, like a deftly executed daisy chain, and features the likes of Lisa Be (the worldly wise aunt from Phil Drexler's SCENT OF HEATHER) and Colleen Anderson a/k/a "Heather Young" (who played the lead in Drexler's SATIN SUITE) who, in a trivia note, is introduced by Annie as "Heather Gordon" which was a pseudonym for Hillary Summers. The old guy in the movie theater is of course porn's favorite pensioner Jake Teague, "Harlan, the Magician" from Howard Winter's NEON NIGHTS, with underrated Michael Gaunt (brilliant in Richard Watkins' American BABYLON) lending his penis to the proceedings. Truth be told, there are no dull moments here and this has as much to do with Annie's powerful and ingratiating personality as with the intimate imagination on display. Her legion of fans will want to own their very own copy. If you're not among them, you may actually find yourself walking away as one. In that case, poetic justice has been served.
As usual, director's credit goes to the star, though veteran filmmaker Joe Sarno once again helped out as evidenced by the many extremely well-handled sex sequences which tend to get a tad "nastier" here in keeping with Annie's "anything goes" nature. Highlights include the star's worship of male buttocks (and all that comes with them ) courtesy of curly-haired cute guy Marc Valentine (Christie Ford's trick from Howard Winter's PLATINUM PARADISE), a totally erotic urination scene with Scott "Mal O'Ree" Mallory similar to the one they shared in Gerard Damiano's stupendous SATISFIERS OF ALPHA BLUE and the romantic lovemaking with hunky Ron Hudd, the "perfect stranger" telephone repair man with Samantha Fox in Chuck Vincent's wonderful JACK 'N' JILL. A seven girl slumber party offers several interesting configurations, like a deftly executed daisy chain, and features the likes of Lisa Be (the worldly wise aunt from Phil Drexler's SCENT OF HEATHER) and Colleen Anderson a/k/a "Heather Young" (who played the lead in Drexler's SATIN SUITE) who, in a trivia note, is introduced by Annie as "Heather Gordon" which was a pseudonym for Hillary Summers. The old guy in the movie theater is of course porn's favorite pensioner Jake Teague, "Harlan, the Magician" from Howard Winter's NEON NIGHTS, with underrated Michael Gaunt (brilliant in Richard Watkins' American BABYLON) lending his penis to the proceedings. Truth be told, there are no dull moments here and this has as much to do with Annie's powerful and ingratiating personality as with the intimate imagination on display. Her legion of fans will want to own their very own copy. If you're not among them, you may actually find yourself walking away as one. In that case, poetic justice has been served.