Generally reckoned to be the first 'Ealing' comedy,a fondly-regarded series of gentle,humorous satires of British life in the late 1940's-early 1950's,this is actually more of a rowdy,fast-paced crime caper than what gradually developed to the above familiar style of this famous film studio.However,it is none the worse for that,with an amusing script and speedy direction by Ealing veterans TEB Clarke and Charles Crichton,and efficient performances by a mostly teenage cast.Looking from a 21st Century viewpoint,it is an astonishing fact how UK teens dressed (in dull tweed suits) and behaved (no guns,knives or bad language) in the pre-rock n' roll era;in this more cynical day and age,it would be the adults stopping the kids committing crime rather than vice versa.This actually helps the film in giving it a quaint period charm which will never be recaptured,as is the well-photographed scenes of war-torn London.Alastair Sim is billed first but the real leading man is inimitable cockney actor Harry Fowler,while the usually genial Jack Warner (a little uncomfortably) is the main adult protagonist,a ruthless villain;Sim is enjoyably buffoonish as a cartoonist,but his is basically a minor character and little seen despite his top billing. The highlight is the final battle between the criminal gang and London street urchins who seem to swarm over their prey like soldier ants.The sequence is funny,exhilarating,thrilling and even spectacular.
HUE AND CRY isn't the best Ealing comedy,and not necessarily the most typical,but despite dated elements is still largely very enjoyable and pleasantly nostalgic for older film-goers.
RATING:7 and a half out of 10.
HUE AND CRY isn't the best Ealing comedy,and not necessarily the most typical,but despite dated elements is still largely very enjoyable and pleasantly nostalgic for older film-goers.
RATING:7 and a half out of 10.