Despite its romanticized, optimistic title, "Grbavica: The Land of My Dreams" actually takes place in a world of shell-shocked survivors. Nearly a decade after the end of the Balkans War, the citizens of Sarajevo (Grbavica is a quarter located in that city) are still attempting to pick up the pieces of their shattered psyches and somehow move on with their lives. Even as bodies are continually being unearthed in mass graves scattered throughout the area, and residents search desperately for remains of their missing loved ones, a veneer of "normalcy" has returned to the city, as citizens cope with the everyday concerns of earning a living, raising children, caring for aging parents, falling in love. Yet, the extent of the emotional scarring is still greatly in evidence: in women attending group therapy sessions designed to help them cope with their losses; in youngsters crowding into noisy nightclubs as a means of escaping the horrors of the past; and, most tellingly perhaps, in the use of dark humor and strangely inappropriate laughter as a major coping mechanism for the beleaguered survivors.
Against this searing backdrop, "Grbavica" focuses on two main characters: Esma, a struggling seamstress who has lost a father and perhaps a husband in the war, and Sara, her teenaged daughter who, on top of the "growing pains" common to teens everywhere, has her own unique set of problems to deal with. One of those includes a major shocking secret about her father revealed late in the film. Mirjana Karanovic and Luna Mijovic, who make a completely convincing mother/daughter team, deliver heartrending, sensitive performances as the parent and child struggling in a world seemingly bereft of joy, hope and happiness, while Leon Lucev offers fine support as a potential love interest for the overburdened seamstress.
Writer/director Jasmila Zbanic has fashioned a film that calls to mind the groundbreaking work by the Italian neo-realists of the post-World War II era. For despite the grimness of its setting, the film suggests that the healing process may have already begun for the nation as well as for its people, and that where there is life there is always hope. The very fact that "Grbavica" is an Austrian/Bosnian-Herzegovinian/German/Croatian co-production attests to that possibility.
Against this searing backdrop, "Grbavica" focuses on two main characters: Esma, a struggling seamstress who has lost a father and perhaps a husband in the war, and Sara, her teenaged daughter who, on top of the "growing pains" common to teens everywhere, has her own unique set of problems to deal with. One of those includes a major shocking secret about her father revealed late in the film. Mirjana Karanovic and Luna Mijovic, who make a completely convincing mother/daughter team, deliver heartrending, sensitive performances as the parent and child struggling in a world seemingly bereft of joy, hope and happiness, while Leon Lucev offers fine support as a potential love interest for the overburdened seamstress.
Writer/director Jasmila Zbanic has fashioned a film that calls to mind the groundbreaking work by the Italian neo-realists of the post-World War II era. For despite the grimness of its setting, the film suggests that the healing process may have already begun for the nation as well as for its people, and that where there is life there is always hope. The very fact that "Grbavica" is an Austrian/Bosnian-Herzegovinian/German/Croatian co-production attests to that possibility.