My response to this movie is a little different than others I've read. Many point to themes like sadomasochism, the cruelty of art, and addiction. However, no one seems to have noted the rather obvious moral. In fact, the movie constantly tells viewers how to interpret its symbolism. Far from subtle, it bludgeons us with the desired interpretation with the same force Michio uses to drive his sculptor's knife through his model's limbs. It is a cautionary coming-of-age tale that enacts a distinctly Japanese version of the Oedipal myth in which the son must overcome his mother rather than his father (there are no fathers here).
The blind Michio is incomplete. As the model Aki tells him, he is not a real man but a momma's boy, a child who still sleeps with his mother (which he does). His mother has done everything in her power to preserve Michio's infantile dependence. She helped him build the cavernous warehouse and fill it with the grotesquely bizarre sculptures of female body parts. The model Aki quickly realizes these are just more symbols of Michio's infantilism. Michio reacts with stunned recognition when Aki points out to him that he has made the figures so large because they represent his childish perspective. To a certain extent, Aki lessens Michio's blindness by repeatedly opening his eyes to the reality of his situation.
Aki's mother, on the other hand, will go to any lengths to preserve Michio's blind reliance on her. She is more than willing to participate in kidnapping and perhaps worse to provide him a new plaything. Indeed, without this accomplice, Michio could never have captured or held Aki. After Michio has chloroformed Aki, his mother leads the way back to the den and guards the door to prevent Aki's escape. However, when Aki starts to become more than a toy to Michio by awakening his romantic and sexual desires, she threatens the mother's dominance.
Again, Aki offers the interpretation of what must follow. She promises to have sex with Michio, even marry him, but only if he will break totally with his mother. In effect, she tells him that to become a man he must reject his mother and assert his mature sexuality with her. She adds that any good (Japanese?) mother would welcome such a change in her son. This sets up a literal tug of war between Aki and the mother for Michio's affection. The seductive Aki stands on one side of Michio exhorting him to choose her in return for her sexual favors, and the mother pulls at him from the other side, warning Michio that Aki is a lying slut who will betray him. The symbolic psychological triangle was so explicitly rendered that I couldn't help but laugh out loud as Michio repeatedly knocks his mother to the floor during this struggle. Then the mother pulls out the big guns, reminding Michio of all her sacrifices in bearing, birthing, and raising him. But Michio fires back with the ultimate guilt trip, accusing his mother of being the cause of his blindness. With one final shove, Michio ends his psychological struggle by knocking his mother against a pillar, after which she dies from the blow to her head.
Michio has literally and figuratively broken the triangle and started on the path to manhood by choosing Aki and an adult sexual relationship. But he doesn't stop there. With the mother no longer blocking the door, Aki believes she can now escape her blind captor. She bolts, but Michio intercepts her. No longer needing his mother to control Aki's feminine assertiveness, Michio drags Aki back into the sculpture gallery and rapes her on top of the gigantic nude sculpture. Earlier, Michio had asked Aki why she agreed to pose nude for a photographer but refused to allow him to feel her body so he could sculpt it. She replied that the photographer was a famous and respected artist who presented her in a way she wanted to be viewed, as the image of the "new woman." In fact, the photographs depicted her in various states of naked bondage. Michio now explicitly forces Aki to accept the traditional role of women in Japanese culture that the photographer only symbolically portrayed -- as an utterly submissive sex object.
Interestingly, it is only when Michio begins to physically abuse Aki that the director Masumura allows the viewer to enjoy Aki's full sexuality, exposing her breasts for the first time in live action (they were also visible at the beginning of the movie in the portraits exhibited by the photographer, another "real" man). Once violently subjugated, the formerly willful Aki not only accepts the submissive role but embraces it to such an extreme that she adopts Michio's disability, becoming blind herself and symbolically accepting his view of the world. She encourages him to beat and mutilate her, and she ultimately allows him to objectify her totally by dismembering her. She becomes like the sculpted body parts that adorn Michio's world, another product of his artistic vision.
With Aki dead, Michio also commits suicide and validates his mother's warning. The mother had cautioned that Michio did not know the real world. Once Michio leaves the safety of her symbolic womb for the path to manhood, his end is inevitable. Maturity ultimately means death. So we're left with a very transparent rendering of a basic maturation myth with some peculiarly Japanese elements. To become a man, a boy must reject his umbilical dependence on women and take on the dominant role. Independent women, on the other hand, are seductive charlatans (except for you, Mom). To be proper members of society, they must submit totally to the desires of men. And of course, sex, as always, equals death for both, but neither has any choice but to accept it as an inevitable consequence of growing up. Obviously, Blind Beast is a feminist's allegorical nightmare. Nevertheless, it is a fascinating rendering of an archetypal story.
The blind Michio is incomplete. As the model Aki tells him, he is not a real man but a momma's boy, a child who still sleeps with his mother (which he does). His mother has done everything in her power to preserve Michio's infantile dependence. She helped him build the cavernous warehouse and fill it with the grotesquely bizarre sculptures of female body parts. The model Aki quickly realizes these are just more symbols of Michio's infantilism. Michio reacts with stunned recognition when Aki points out to him that he has made the figures so large because they represent his childish perspective. To a certain extent, Aki lessens Michio's blindness by repeatedly opening his eyes to the reality of his situation.
Aki's mother, on the other hand, will go to any lengths to preserve Michio's blind reliance on her. She is more than willing to participate in kidnapping and perhaps worse to provide him a new plaything. Indeed, without this accomplice, Michio could never have captured or held Aki. After Michio has chloroformed Aki, his mother leads the way back to the den and guards the door to prevent Aki's escape. However, when Aki starts to become more than a toy to Michio by awakening his romantic and sexual desires, she threatens the mother's dominance.
Again, Aki offers the interpretation of what must follow. She promises to have sex with Michio, even marry him, but only if he will break totally with his mother. In effect, she tells him that to become a man he must reject his mother and assert his mature sexuality with her. She adds that any good (Japanese?) mother would welcome such a change in her son. This sets up a literal tug of war between Aki and the mother for Michio's affection. The seductive Aki stands on one side of Michio exhorting him to choose her in return for her sexual favors, and the mother pulls at him from the other side, warning Michio that Aki is a lying slut who will betray him. The symbolic psychological triangle was so explicitly rendered that I couldn't help but laugh out loud as Michio repeatedly knocks his mother to the floor during this struggle. Then the mother pulls out the big guns, reminding Michio of all her sacrifices in bearing, birthing, and raising him. But Michio fires back with the ultimate guilt trip, accusing his mother of being the cause of his blindness. With one final shove, Michio ends his psychological struggle by knocking his mother against a pillar, after which she dies from the blow to her head.
Michio has literally and figuratively broken the triangle and started on the path to manhood by choosing Aki and an adult sexual relationship. But he doesn't stop there. With the mother no longer blocking the door, Aki believes she can now escape her blind captor. She bolts, but Michio intercepts her. No longer needing his mother to control Aki's feminine assertiveness, Michio drags Aki back into the sculpture gallery and rapes her on top of the gigantic nude sculpture. Earlier, Michio had asked Aki why she agreed to pose nude for a photographer but refused to allow him to feel her body so he could sculpt it. She replied that the photographer was a famous and respected artist who presented her in a way she wanted to be viewed, as the image of the "new woman." In fact, the photographs depicted her in various states of naked bondage. Michio now explicitly forces Aki to accept the traditional role of women in Japanese culture that the photographer only symbolically portrayed -- as an utterly submissive sex object.
Interestingly, it is only when Michio begins to physically abuse Aki that the director Masumura allows the viewer to enjoy Aki's full sexuality, exposing her breasts for the first time in live action (they were also visible at the beginning of the movie in the portraits exhibited by the photographer, another "real" man). Once violently subjugated, the formerly willful Aki not only accepts the submissive role but embraces it to such an extreme that she adopts Michio's disability, becoming blind herself and symbolically accepting his view of the world. She encourages him to beat and mutilate her, and she ultimately allows him to objectify her totally by dismembering her. She becomes like the sculpted body parts that adorn Michio's world, another product of his artistic vision.
With Aki dead, Michio also commits suicide and validates his mother's warning. The mother had cautioned that Michio did not know the real world. Once Michio leaves the safety of her symbolic womb for the path to manhood, his end is inevitable. Maturity ultimately means death. So we're left with a very transparent rendering of a basic maturation myth with some peculiarly Japanese elements. To become a man, a boy must reject his umbilical dependence on women and take on the dominant role. Independent women, on the other hand, are seductive charlatans (except for you, Mom). To be proper members of society, they must submit totally to the desires of men. And of course, sex, as always, equals death for both, but neither has any choice but to accept it as an inevitable consequence of growing up. Obviously, Blind Beast is a feminist's allegorical nightmare. Nevertheless, it is a fascinating rendering of an archetypal story.