There is much potential for this to be made into a great film with flashes of brilliant ideas - a young homosexual who sells himself for sex lives with his budding opera singer of a sister; yet this relationship is barely touched upon, and her character barely developed. A Muslim cop married to an atheist writer who struggles with maternity; a lonely and ageing doctor who watches his would-be lover contract HIV.
This film is a perfect example of how to write a bad screenplay -- every scene in which there is dialogue is an argument. The characters are haphazardly portrayed, and whole chunks of storytelling are left up to our imagination. Our homosexual protagonist seems to travel through wormholes between Paris and south of France, as he is poor, and we never see him drive, fly, or take the train. Seaons come and go faster than the characters and relationships develop. We are given glimpses into a female writer's life, yet the reason why she is a writer is of little to no importance to the story, and there is only a suggestion of what she writes.
The dreary, stilted arguments, where the script leaves no subtext or nuance for the actors to work with make soap operas seem high brow.
This film is a perfect example of how to write a bad screenplay -- every scene in which there is dialogue is an argument. The characters are haphazardly portrayed, and whole chunks of storytelling are left up to our imagination. Our homosexual protagonist seems to travel through wormholes between Paris and south of France, as he is poor, and we never see him drive, fly, or take the train. Seaons come and go faster than the characters and relationships develop. We are given glimpses into a female writer's life, yet the reason why she is a writer is of little to no importance to the story, and there is only a suggestion of what she writes.
The dreary, stilted arguments, where the script leaves no subtext or nuance for the actors to work with make soap operas seem high brow.