This is a very cheaply made and predictable programmer--predictable since its plot is taken, almost verbatim, from two earlier films. It was literally like splicing two old movie together to make a new film!
The first 15 minutes of the film is lifted right out of PRIVATE DETECTIVE 62 (1933--starring William Powell), though the hero was stealing information from a French safe in the original film and in CALLING PHILO VANCE it involved stealing from an Austrian one. In both, he was working for the state department (though they denied this) and in both cases he was deported back to the US--only to have the boat's captain be told to return the man just as they are pulling into New York harbor--at which point the man jumps overboard and the rest of the film begins. It's so exact that they are practically the same film in the first reel.
Following this narrow escape, the plot is THE KENNEL MURDER CASE (also starring Powell). I am sure of this because I just saw both 1930s films in the last month. In fact, in many places it was word-for-word the same--so much so that I couldn't stand watching the film again--especially because James Stevenson on his best day doesn't even come close to the charm and style of William Powell's version of Philo Vance. It's like having Lee Majors play the lead in High Noon instead of Gary Cooper (this DID happen) or Timothy Dalton play "Rhett Butler" instead of Clark Gable (this, sadly, also DID happen)!! So, unless you've never seen the near-perfect KENNEL MURDER CASE (which earned a well-deserved 9 from me), don't even bother with this by-the-numbers re-make. It just isn't worth your time. And, for that matter, PRIVATE DETECTIVE 62 is also quite superior to CALLING PHILO VANCE. In fact, just WHO is this James Stevenson and why is he stealing from William Powell?!
The first 15 minutes of the film is lifted right out of PRIVATE DETECTIVE 62 (1933--starring William Powell), though the hero was stealing information from a French safe in the original film and in CALLING PHILO VANCE it involved stealing from an Austrian one. In both, he was working for the state department (though they denied this) and in both cases he was deported back to the US--only to have the boat's captain be told to return the man just as they are pulling into New York harbor--at which point the man jumps overboard and the rest of the film begins. It's so exact that they are practically the same film in the first reel.
Following this narrow escape, the plot is THE KENNEL MURDER CASE (also starring Powell). I am sure of this because I just saw both 1930s films in the last month. In fact, in many places it was word-for-word the same--so much so that I couldn't stand watching the film again--especially because James Stevenson on his best day doesn't even come close to the charm and style of William Powell's version of Philo Vance. It's like having Lee Majors play the lead in High Noon instead of Gary Cooper (this DID happen) or Timothy Dalton play "Rhett Butler" instead of Clark Gable (this, sadly, also DID happen)!! So, unless you've never seen the near-perfect KENNEL MURDER CASE (which earned a well-deserved 9 from me), don't even bother with this by-the-numbers re-make. It just isn't worth your time. And, for that matter, PRIVATE DETECTIVE 62 is also quite superior to CALLING PHILO VANCE. In fact, just WHO is this James Stevenson and why is he stealing from William Powell?!