Watching "Angel" by French filmmaker François Ozon was a quite interesting experience. As often, when a film turns out to be different than I had thought, at first I didn't really like what I saw. I went into the cinema knowing practically nothing about what I had to expect and found myself in a movie with over the top acting, corny dialogue and a dislikeable main character. It was after some time in the movie that I realized, Ozon used the style of old Hollywood melodramas to enforce the pompous and passionate character of Angel's writing and to at the same time add ironic breaks to an otherwise fairy tale story. But still, Ozon shows a lot of love for Angel on screen and does not use the irony to demonstrate his superiority. Now, quite a while after watching "Angel", the film still sticks in my mind and crosses my thoughts now and then, which is a proof to me that I really saw an impressive work, that mixes an antique style with narrative intransigence unseen in melodramas of the old days.