Before George and Martha there were Jimmy and Alison, the vituperate couple at the heart of Osborne's legendary play and I suppose you could say the British Kitchen Sink movement started here. The difference, of course, being that while the Arthur Seatons and Colin Smiths of this world were unequivocally working-class kicking against the system and the intelligentsia, Jimmy and Alison were the intelligentsia playing at being working-class. And therein lies the rub; unlike later 'kitchen sink' movies "Look Back in Anger" isn't so much looking back as mired in the past, an uneasy amalgam of the kind of British films that were coming out in the late fifties and the kind of ground-breaking British cinema that would come to prevail in the early sixties.
There is no denying it is extremely well played. Burton is loudly splendiferous as Jimmy yet he seems strangely miscast at the same time. Perhaps it's that booming, melodious voice; this is a Jimmy that is more Shakespeare than Osborne, (note how Olivier completely subsumed his Shakespearean tendencies to become the definitive Osborne hero in "The Entertainer"). By the time Burton got around to playing George in "Who's Afraid of Virginia Woolf" you could say he had grown into the part.
Better cast are Mary Ure as Alison and Claire Bloom as Helena. Their performances feel new and edgy, a move away from the traditional kind of performances that British actresses had been giving up to then while Gary Raymond is an admirable Cliff and a miscast Edith Evans does what she can with Ma Tanner. Tony Richardson opens it out from the Porter's depressing flat to give a more 'cinematic' feel yet it still feels stagey and not in a good way. It's a refreshingly 'grown-up' movie but you may still wonder what all the fuss was about when the original play first opened.
There is no denying it is extremely well played. Burton is loudly splendiferous as Jimmy yet he seems strangely miscast at the same time. Perhaps it's that booming, melodious voice; this is a Jimmy that is more Shakespeare than Osborne, (note how Olivier completely subsumed his Shakespearean tendencies to become the definitive Osborne hero in "The Entertainer"). By the time Burton got around to playing George in "Who's Afraid of Virginia Woolf" you could say he had grown into the part.
Better cast are Mary Ure as Alison and Claire Bloom as Helena. Their performances feel new and edgy, a move away from the traditional kind of performances that British actresses had been giving up to then while Gary Raymond is an admirable Cliff and a miscast Edith Evans does what she can with Ma Tanner. Tony Richardson opens it out from the Porter's depressing flat to give a more 'cinematic' feel yet it still feels stagey and not in a good way. It's a refreshingly 'grown-up' movie but you may still wonder what all the fuss was about when the original play first opened.