"Secret Honor" is an actor's wet dream.
This screen adaptation of a one-man play stars Philip Baker Hall as Richard Nixon on the dark night that follows his resignation from the office of President of the United States. The film makes clear from the outset that it is not a representation of facts but rather a fictional exploration of the thoughts and feelings that may have been torturing Nixon at the time. Hall has the screen to himself and gives a fierce, if rather one-note, performance. The material isn't very deep and doesn't give Hall a lot of room to explore, but I suppose it succeeds on its own modest terms.
Robert Altman made this film at the apex of his disenfranchisement from the mainstream Hollywood system. He filmed it at the University of Michigan with the assistance of Michigan students, and the tiny budget and minimal resources show. It's not remotely cinematic, though Altman makes a solid effort to make it so. Though the action is confined to Nixon's private office, Altman frequently pans his camera over to a bank of security cameras that Nixon has trained on himself, so that much of the time we're watching an image of Hall on a T.V. monitor rather than Hall himself. The message is clear -- Nixon, and by extension any politician, is constantly performing, even in his most private moments. Once one takes the oath of the presidency, he can't ever stop being the president. How good a job would any one of us do under similar circumstances, and how harshly do we have the right to judge our leaders?
Admittedly, much of my lack of enjoyment of "Secret Honor" is my own fault. It made me realize how little I actually know about Nixon's presidency, which was over in the years just before I was born, and I wasn't able to understand many of the film's references. As is often the case, my knowledge of the more distant past is greater than events that have occurred within my lifetime.
Grade: B
This screen adaptation of a one-man play stars Philip Baker Hall as Richard Nixon on the dark night that follows his resignation from the office of President of the United States. The film makes clear from the outset that it is not a representation of facts but rather a fictional exploration of the thoughts and feelings that may have been torturing Nixon at the time. Hall has the screen to himself and gives a fierce, if rather one-note, performance. The material isn't very deep and doesn't give Hall a lot of room to explore, but I suppose it succeeds on its own modest terms.
Robert Altman made this film at the apex of his disenfranchisement from the mainstream Hollywood system. He filmed it at the University of Michigan with the assistance of Michigan students, and the tiny budget and minimal resources show. It's not remotely cinematic, though Altman makes a solid effort to make it so. Though the action is confined to Nixon's private office, Altman frequently pans his camera over to a bank of security cameras that Nixon has trained on himself, so that much of the time we're watching an image of Hall on a T.V. monitor rather than Hall himself. The message is clear -- Nixon, and by extension any politician, is constantly performing, even in his most private moments. Once one takes the oath of the presidency, he can't ever stop being the president. How good a job would any one of us do under similar circumstances, and how harshly do we have the right to judge our leaders?
Admittedly, much of my lack of enjoyment of "Secret Honor" is my own fault. It made me realize how little I actually know about Nixon's presidency, which was over in the years just before I was born, and I wasn't able to understand many of the film's references. As is often the case, my knowledge of the more distant past is greater than events that have occurred within my lifetime.
Grade: B