Earlier today I posted a negative review of SPY TRAIN, a WWII-era thriller flop about Nazi spies on a train, all done by the numbers, and not very well.
Thank heaven for BERLIN EXPRESS, which is a potent antidote to formulaic war thrillers. Here the "McGuffin" is the need to deliver Dr. Bernhardt safely to a conference in Berlin, where he has a wonderful plan for reuniting Germany. But of course, there are sinister forces at work to prevent him from arriving.
Bernhardt's secretary, Lucienne (Oberon) is on a train with her boss and several good-looking male passengers who represent the four Allied powers. An intercepted message has warned of danger, but no one knows what to expect. Danger does indeed strike, and when the train arrives in Frankfurt, things become decidedly worse. There's a kidnapping, a hanging, a gun-toting clown, and plenty of awe-inspiring shots of bombed-out Frankfurt (much like the Vienna of THIRD MAN). Bits of humor lighten up a taut, well-written script.
What makes this film better than dreck like SPY TRAIN is its sense of reality, which is cemented by good characters and embellished by the very real locations. Shot in Paris, Frankfurt, and a shelled Berlin, it plays like something from post-war headlines. (The running narration, which is not obtrusive, lends the sense of a documentary.) The only sour note is a saccharine ending, in which the characters from each country exit the screen to the sounds of national theme songs. But that's not enough to spoil a very engaging thriller. It's great for war movie fans, and for students of history who want a look at the aftermath of WWII.
Thank heaven for BERLIN EXPRESS, which is a potent antidote to formulaic war thrillers. Here the "McGuffin" is the need to deliver Dr. Bernhardt safely to a conference in Berlin, where he has a wonderful plan for reuniting Germany. But of course, there are sinister forces at work to prevent him from arriving.
Bernhardt's secretary, Lucienne (Oberon) is on a train with her boss and several good-looking male passengers who represent the four Allied powers. An intercepted message has warned of danger, but no one knows what to expect. Danger does indeed strike, and when the train arrives in Frankfurt, things become decidedly worse. There's a kidnapping, a hanging, a gun-toting clown, and plenty of awe-inspiring shots of bombed-out Frankfurt (much like the Vienna of THIRD MAN). Bits of humor lighten up a taut, well-written script.
What makes this film better than dreck like SPY TRAIN is its sense of reality, which is cemented by good characters and embellished by the very real locations. Shot in Paris, Frankfurt, and a shelled Berlin, it plays like something from post-war headlines. (The running narration, which is not obtrusive, lends the sense of a documentary.) The only sour note is a saccharine ending, in which the characters from each country exit the screen to the sounds of national theme songs. But that's not enough to spoil a very engaging thriller. It's great for war movie fans, and for students of history who want a look at the aftermath of WWII.