Queenie is the television mini-series based on the novel by Michael Korda who apparently likes using his famous family as subject matter. In this one he based the lead character on his aunt by marriage, Merle Oberon.
We are NOT seeing the Merle Oberon story in Queenie. Though the protagonist was Anglo-Indian this was something she kept a secret throughout her entire life, probably at great pain to herself. What Queenie does do is show the times in the Raj when she grew up in India.
Times were not easy for the real Merle or for young Mia Sara in Calcutta in the teens and twenties of the last year. For reasons that sound abominably stupid today, the British public which wanted to let India go was blocked by some very powerful folk, chiefly Winston Churchill and press magnate Lord Beaverbrook. The racist attitudes were summed up so well by Joss Ackland where he states that we can't leave India because the Moslems and Hindus will end up killing each other, but just as long as they don't bring the fight into their club. Racial and religious antagonisms which for reasons of policy both good and bad were encouraged.
Mia Sara's character is like Ava Gardner's in Bhowani Junction, struggling hard and not feeling she belongs in either British or Indian society. What Michael Korda does in the story is allow her to have a measure of pride in her heritage, something Merle Oberon could never do in her life.
But she married well and Kirk Douglas plays the fictional David Konig, the prototype for British film producer Alexander Korda. Douglas borrows liberally from his Oscar nominated role of Jonathan Shields from The Bad and the Beautiful to play Konig. I suspect there's more Shields than Korda in his performance though.
Best performances in the film are from Claire Bloom as Sara's mother and from Serena Gordon as the vicious young lady who was Ackland's daughter and her antagonist.
Queenie was done on location in Jaipur, India a city which is known for its traditional look and probably looks more like Calcutta in the twenties than Calcutta now.
I think Merle Oberon would have approved.
We are NOT seeing the Merle Oberon story in Queenie. Though the protagonist was Anglo-Indian this was something she kept a secret throughout her entire life, probably at great pain to herself. What Queenie does do is show the times in the Raj when she grew up in India.
Times were not easy for the real Merle or for young Mia Sara in Calcutta in the teens and twenties of the last year. For reasons that sound abominably stupid today, the British public which wanted to let India go was blocked by some very powerful folk, chiefly Winston Churchill and press magnate Lord Beaverbrook. The racist attitudes were summed up so well by Joss Ackland where he states that we can't leave India because the Moslems and Hindus will end up killing each other, but just as long as they don't bring the fight into their club. Racial and religious antagonisms which for reasons of policy both good and bad were encouraged.
Mia Sara's character is like Ava Gardner's in Bhowani Junction, struggling hard and not feeling she belongs in either British or Indian society. What Michael Korda does in the story is allow her to have a measure of pride in her heritage, something Merle Oberon could never do in her life.
But she married well and Kirk Douglas plays the fictional David Konig, the prototype for British film producer Alexander Korda. Douglas borrows liberally from his Oscar nominated role of Jonathan Shields from The Bad and the Beautiful to play Konig. I suspect there's more Shields than Korda in his performance though.
Best performances in the film are from Claire Bloom as Sara's mother and from Serena Gordon as the vicious young lady who was Ackland's daughter and her antagonist.
Queenie was done on location in Jaipur, India a city which is known for its traditional look and probably looks more like Calcutta in the twenties than Calcutta now.
I think Merle Oberon would have approved.