FINALLY! After waiting two years, I saw Sybil (2007) this afternoon, and I have to honestly say I was much more pleased with it than I thought I'd be. It's hard not to draw parallels between the original movie and this one, but I'll try to save that for the end of this review.
SYBIL is the story of Shirley Ardell Mason (1923-1998), known as Sybil Dorsett, a woman who developed 16 different personalities, two of them male, because of child abuse at the hands of her mother. Her story and the story of her treatment by Dr Cornelia (Connie) Wilbur (1908-1992) was told in a book published in 1973 by Flora Rheta Schreiber. It was made into TV movie starring Sallie Field and JoAnn Woodward in 1976.
Sybil (2007)(hereafter S'7) follows the book more closely than the original movie. As the readers know, the story starts out with Sybil lost in a snowstorm in Philadelphia; Dr Wilbur begins to notice something strange when Sybil's fiancée Stan dumps her. The problem with breaking glass begins when Sybil breaks a bottle of patent medicine in a Willows Corner drugstore and when her cousin breaks a pickle dish and blames it on her. These are all parts of the book that never figured in the Sybil (1976) (hereafter S'76). At times the artistic license taken by screenwriter John Pielmeier doesn't jive with what's in the book. Most of it can be overlooked, although I had a problem with "her first beau." It's no worse than the liberties taken by Stewart Stern, the original screenwriter, and it did allow the writer to introduce thecontroversies that have arisen over the past 30 years.
Tammi Blanchard does an admirable job as Sybil Dorsett, the woman of 16 personalities. She was a little stiff when she first appeared in Dr Wilbur's office, and some of her early "changes" were in voice rather than in facial expressions. It was kind of hard to tell who she was, but that was the same confusion faced by the real doctor at this stage. Later her facial expressions better matched the personality, and her rapid changes from one character to another were quite believable. She was more emotional and less standoffish than the Sybil of the book, but she was a very sympathetic character and when she was showing the pain of Sybil's abuse through one of the others, and Sybil's own shame, confusion and pain, she brought tears to my eyes.
Jessica Lange also did a good job as Dr Wilbur. While many of her scenes focused on her conflict with colleagues, one in particular being the psychiatrist who recommended Sybil to her, her scenes with Sybil were played well. She showed the good doctor to be a maverick who not only fought for her patients' mental health and healing, but also fought a battle against the male establishment, which is an unfortunate truth faced by women professionals in the 1950s (and still to some degree.) Jo Beth Williams portrayed Hattie Dorsett, the schizoid woman who was responsible for Sybil's problems. I must mention S'76 here: Jo Beth is no Martine Bartlett. On the other hand most of her scenes were short and viewed as flashbacks. There's no long Christmas scene in the kitchen and no piano scene; other than Sybil's father talking about her catatonic episode and subsequent diagnosis of schizophrenia, we don't get to learn much about her and why she did the horrible things she did to her daughter.
There were several more secondary characters from the book, but none of them had very big roles. Sybil's father, Ramone (her last boyfriend), Grandma's lap, a cousin... all very short and mostly forgettable.
I'm not qualified to go into production values. I thought some of the scenes were shot pretty dark and kind of hard to see. Other than Willard, I didn't have any trouble understand the dialog.
Inevitably this film is going to be compared with S'76, which in my opinion is one of the best psycho-medical dramas ever made. Sally Field was Sybil and Jo Ann Woodward was Dr Wilbur. But I honestly think that if I had seen S'7 before S'76, I'd be making comparisons between Tammy's character and Sally's. I rarely saw acting from Tammy; I felt that she was deeply into the part and I was quickly drawn into the story. I can't say quite as much for Jessica, but I also won't say she didn't do a good job and from what I've learned about Dr Wilbur, she may have even been closer to the part. S'76 was also pioneering and didn't have to present the controversies that have arisen since 1976, which, in the movie, were distracting at times but at least the producers dealt with it honestly. On first viewing, I didn't notice any really strong and unforgettable scenes like the two "piano" scenes of the original, but the last scene of Sybil and Dr Wilbur together is quite powerful.
Ultimately whether or not Sybil was a) a woman possessing 16 different personalities, or b) a brilliant hysteric who was able to role play various personalities at will and well enough to convince Dr Wilbur she was a multiple personality is left up to the viewer.
I give this show an 8 and highly recommend Sybil '76 fans to watch it. You may not like Tammy or Jessica as well; you will find flaws in the story, but it was a good watch and other than it being too short (85 minutes) I think they did a very good job. PARENTAL WARNING: It's much like S'76, in that most of the actual abuse is inferred, but there are still some scenes that would be very disturbing for preteens.
SYBIL is the story of Shirley Ardell Mason (1923-1998), known as Sybil Dorsett, a woman who developed 16 different personalities, two of them male, because of child abuse at the hands of her mother. Her story and the story of her treatment by Dr Cornelia (Connie) Wilbur (1908-1992) was told in a book published in 1973 by Flora Rheta Schreiber. It was made into TV movie starring Sallie Field and JoAnn Woodward in 1976.
Sybil (2007)(hereafter S'7) follows the book more closely than the original movie. As the readers know, the story starts out with Sybil lost in a snowstorm in Philadelphia; Dr Wilbur begins to notice something strange when Sybil's fiancée Stan dumps her. The problem with breaking glass begins when Sybil breaks a bottle of patent medicine in a Willows Corner drugstore and when her cousin breaks a pickle dish and blames it on her. These are all parts of the book that never figured in the Sybil (1976) (hereafter S'76). At times the artistic license taken by screenwriter John Pielmeier doesn't jive with what's in the book. Most of it can be overlooked, although I had a problem with "her first beau." It's no worse than the liberties taken by Stewart Stern, the original screenwriter, and it did allow the writer to introduce thecontroversies that have arisen over the past 30 years.
Tammi Blanchard does an admirable job as Sybil Dorsett, the woman of 16 personalities. She was a little stiff when she first appeared in Dr Wilbur's office, and some of her early "changes" were in voice rather than in facial expressions. It was kind of hard to tell who she was, but that was the same confusion faced by the real doctor at this stage. Later her facial expressions better matched the personality, and her rapid changes from one character to another were quite believable. She was more emotional and less standoffish than the Sybil of the book, but she was a very sympathetic character and when she was showing the pain of Sybil's abuse through one of the others, and Sybil's own shame, confusion and pain, she brought tears to my eyes.
Jessica Lange also did a good job as Dr Wilbur. While many of her scenes focused on her conflict with colleagues, one in particular being the psychiatrist who recommended Sybil to her, her scenes with Sybil were played well. She showed the good doctor to be a maverick who not only fought for her patients' mental health and healing, but also fought a battle against the male establishment, which is an unfortunate truth faced by women professionals in the 1950s (and still to some degree.) Jo Beth Williams portrayed Hattie Dorsett, the schizoid woman who was responsible for Sybil's problems. I must mention S'76 here: Jo Beth is no Martine Bartlett. On the other hand most of her scenes were short and viewed as flashbacks. There's no long Christmas scene in the kitchen and no piano scene; other than Sybil's father talking about her catatonic episode and subsequent diagnosis of schizophrenia, we don't get to learn much about her and why she did the horrible things she did to her daughter.
There were several more secondary characters from the book, but none of them had very big roles. Sybil's father, Ramone (her last boyfriend), Grandma's lap, a cousin... all very short and mostly forgettable.
I'm not qualified to go into production values. I thought some of the scenes were shot pretty dark and kind of hard to see. Other than Willard, I didn't have any trouble understand the dialog.
Inevitably this film is going to be compared with S'76, which in my opinion is one of the best psycho-medical dramas ever made. Sally Field was Sybil and Jo Ann Woodward was Dr Wilbur. But I honestly think that if I had seen S'7 before S'76, I'd be making comparisons between Tammy's character and Sally's. I rarely saw acting from Tammy; I felt that she was deeply into the part and I was quickly drawn into the story. I can't say quite as much for Jessica, but I also won't say she didn't do a good job and from what I've learned about Dr Wilbur, she may have even been closer to the part. S'76 was also pioneering and didn't have to present the controversies that have arisen since 1976, which, in the movie, were distracting at times but at least the producers dealt with it honestly. On first viewing, I didn't notice any really strong and unforgettable scenes like the two "piano" scenes of the original, but the last scene of Sybil and Dr Wilbur together is quite powerful.
Ultimately whether or not Sybil was a) a woman possessing 16 different personalities, or b) a brilliant hysteric who was able to role play various personalities at will and well enough to convince Dr Wilbur she was a multiple personality is left up to the viewer.
I give this show an 8 and highly recommend Sybil '76 fans to watch it. You may not like Tammy or Jessica as well; you will find flaws in the story, but it was a good watch and other than it being too short (85 minutes) I think they did a very good job. PARENTAL WARNING: It's much like S'76, in that most of the actual abuse is inferred, but there are still some scenes that would be very disturbing for preteens.