I saw this movie at the cinema long ago. In fact, it was so long ago that the main feature still included a B-movie companion. And here 'The Plank' was it. Oddly; I can remember this, but not the A-movie it supported.
Eric Sykes' effort included a who's-who of British comedy from the time. Each of them become involved at some stage or another with this plank of wood in a series of banal set-piece gags. Frankly, I found it childishly contrived even then. Which is probably why I remembered it. Some 20 years later I saw it on television and the stunts were quite painful to behold. Sphincter-puckering is the term.
It's a sort-of silent movie. It might even pass for surrealism at times. But the idea doesn't quite work. If the French had done this, I suspect the result would have been an absolute scream. But it's not the kind of concept we Brits are particularly good at. And this is the proof.
There's the cream of comic talent at the director's disposal. Any one of several could have a theatre rolling in the aisles; but here they, and their unique skills, are each subordinated to Sykes' old-fashioned brand of predictable variety-hall humour, and they are simply wasted.
Although it was released in 1967, it represented a simplistic, juvenile 'take' that had pretty-well run its course 10 years earlier. As nice a bloke as he was, Eric Sykes was a comedian who simply couldn't move with the times. If he were in light entertainment even today, this is still the stuff he would be producing. By 1969 came 'Monty Python', with modern comedians and fresh comedy. Both styles observed back-to-back represent two different generations yet separated by just 2 years.
As a chance to play 'spot the comedian' this item is a quiz in itself, but as comedic entertainment it's a bit of a disaster, unless you're under 5 years old.
I suspect they'll love it in Albania.
Eric Sykes' effort included a who's-who of British comedy from the time. Each of them become involved at some stage or another with this plank of wood in a series of banal set-piece gags. Frankly, I found it childishly contrived even then. Which is probably why I remembered it. Some 20 years later I saw it on television and the stunts were quite painful to behold. Sphincter-puckering is the term.
It's a sort-of silent movie. It might even pass for surrealism at times. But the idea doesn't quite work. If the French had done this, I suspect the result would have been an absolute scream. But it's not the kind of concept we Brits are particularly good at. And this is the proof.
There's the cream of comic talent at the director's disposal. Any one of several could have a theatre rolling in the aisles; but here they, and their unique skills, are each subordinated to Sykes' old-fashioned brand of predictable variety-hall humour, and they are simply wasted.
Although it was released in 1967, it represented a simplistic, juvenile 'take' that had pretty-well run its course 10 years earlier. As nice a bloke as he was, Eric Sykes was a comedian who simply couldn't move with the times. If he were in light entertainment even today, this is still the stuff he would be producing. By 1969 came 'Monty Python', with modern comedians and fresh comedy. Both styles observed back-to-back represent two different generations yet separated by just 2 years.
As a chance to play 'spot the comedian' this item is a quiz in itself, but as comedic entertainment it's a bit of a disaster, unless you're under 5 years old.
I suspect they'll love it in Albania.