At a time when many a star-studded and big-budgeted WWII actioner emerged, this modest effort seemed definitely like second-tier material – offering customary but efficient thrills and decent spectacle, somewhat in the vein of 633 SQUADRON (1964)…with which it shares much of the plot and action footage!
In this respect, the film also owes its German secret weapon to OPERATION CROSSBOW (1965) and its bouncing bombs to THE DAM BUSTERS (1955); no wonder, then, that the end result feels awfully contrived (particularly at the climax, when successive to a couple of failed attempts, it has a wounded pilot wilfully crash smack into the warehouse where the rockets are manufactured!). Besides, the narrative tends too often towards romantic/sentimental complications: the relationship between the two leads being obstructed, for one thing, by the hero having been the best friend of the woman’s husband and, later, by the knowledge he shares with her maimed brother that the man had survived an air crash but is being kept prisoner in a château marked for obliteration during an Allied air raid led by the hero himself!
The credentials are strictly below-par (the score, typically an asset in this type of flick, attempts to be rousing but succeeds only in being bland) and the casting a mix of TV actors (THE MAN FROM U.N.C.L.E.’s David McCallum – who delivers a brooding performance – and Suzanne Neve from U.F.O.) and colorful character performers (Charles Gray as the pompous yet stern Air Commodore and Vladek Sheybal as the erudite but fishy Nazi officer in charge of the prison/plant fortress). Mind you, while being no great shakes (and probably instantly forgettable), the film proves mildly engaging – to say nothing of eminently watchable – along the way; when all is said and done, there are certainly far worse titles to spend 90 minutes of your life on…
In this respect, the film also owes its German secret weapon to OPERATION CROSSBOW (1965) and its bouncing bombs to THE DAM BUSTERS (1955); no wonder, then, that the end result feels awfully contrived (particularly at the climax, when successive to a couple of failed attempts, it has a wounded pilot wilfully crash smack into the warehouse where the rockets are manufactured!). Besides, the narrative tends too often towards romantic/sentimental complications: the relationship between the two leads being obstructed, for one thing, by the hero having been the best friend of the woman’s husband and, later, by the knowledge he shares with her maimed brother that the man had survived an air crash but is being kept prisoner in a château marked for obliteration during an Allied air raid led by the hero himself!
The credentials are strictly below-par (the score, typically an asset in this type of flick, attempts to be rousing but succeeds only in being bland) and the casting a mix of TV actors (THE MAN FROM U.N.C.L.E.’s David McCallum – who delivers a brooding performance – and Suzanne Neve from U.F.O.) and colorful character performers (Charles Gray as the pompous yet stern Air Commodore and Vladek Sheybal as the erudite but fishy Nazi officer in charge of the prison/plant fortress). Mind you, while being no great shakes (and probably instantly forgettable), the film proves mildly engaging – to say nothing of eminently watchable – along the way; when all is said and done, there are certainly far worse titles to spend 90 minutes of your life on…